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Wrong's What I Do Best: Hard Country Music and Contemporary Culture
Contributor(s): Ching, Barbara (Author)
ISBN: 0195169425     ISBN-13: 9780195169423
Publisher: Oxford University Press, USA
OUR PRICE:   $74.25  
Product Type: Paperback - Other Formats
Published: August 2003
Qty:
Annotation: This is the first study of "hard" country music as well as the first comprehensive application of contemporary cultural theory to country music. Barbara Ching begins by defining the features that make certain country songs and artists "hard." She compares hard country music to "high" American
culture, arguing that hard country deliberately focuses on its low position in the American cultural hierarchy, comically singing of failures to live up to American standards of affluence, while mainstream country music focuses on nostalgia, romance, and patriotism of regular folk.
With chapters on Hank Williams Sr. and Jr., Merle Haggard, George Jones, David Allan Coe, Buck Owens, Dwight Yoakam, and the Outlaw Movement, this book is written in a jargon-free, engaging style that will interest both academic as well as general readers.
Additional Information
BISAC Categories:
- Music | Genres & Styles - Country & Bluegrass - General
- Music | History & Criticism - General
Dewey: 781.642
Physical Information: 0.61" H x 5.7" W x 9.02" (0.64 lbs) 200 pages
 
Descriptions, Reviews, Etc.
Publisher Description:
This is the first study of hard country music as well as the first comprehensive application of contemporary cultural theory to country music. Barbara Ching begins by defining the features that make certain country songs and artists hard. She compares hard country music to high American
culture, arguing that hard country deliberately focuses on its low position in the American cultural hierarchy, comically singing of failures to live up to American standards of affluence, while mainstream country music focuses on nostalgia, romance, and patriotism of regular folk.
With chapters on Hank Williams Sr. and Jr., Merle Haggard, George Jones, David Allan Coe, Buck Owens, Dwight Yoakam, and the Outlaw Movement, this book is written in a jargon-free, engaging style that will interest both academic as well as general readers.