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Adventures with Iphigenia in Tauris: A Cultural History of Euripides' Black Sea Tragedy
Contributor(s): Hall, Edith (Author)
ISBN: 0195392892     ISBN-13: 9780195392890
Publisher: Oxford University Press (UK)
OUR PRICE:   $118.75  
Product Type: Hardcover - Other Formats
Published: December 2012
Qty:
Additional Information
BISAC Categories:
- Drama | Ancient & Classical
- History | Ancient - Greece
- Literary Collections | Ancient, Classical & Medieval
Dewey: 882.01
LCCN: 2012008796
Series: Onassis Series in Hellenic Culture
Physical Information: 1.5" H x 6.4" W x 9.3" (1.65 lbs) 416 pages
Themes:
- Chronological Period - Ancient (To 499 A.D.)
- Cultural Region - Greece
 
Descriptions, Reviews, Etc.
Publisher Description:
Human sacrifice, a spirited heroine, a quest ending in a hairsbreadth escape, the touching reunion of long-lost siblings, and exquisite poetry--these features have historically made Euripides' Iphigenia in Tauris one of the most influential of Greek tragedies. Yet, despite its influence and
popularity in the ancient world, the play remains curiously under-investigated in both mainstream cultural studies and more specialized scholarship. With Adventures with Iphigenia in Tauris, Edith Hall provides a much-needed cultural history of this play, giving as much weight to the impact of the
play on subsequent Greek and Roman art and literature as on its manifestations since the discovery of the sole surviving medieval manuscript in the 1500s. The book argues that the reception of the play is bound up with its spectacular setting on the southern coast of the Crimean peninsula in what is
now the Ukraine, a territory where world history has often been made. However, it also shows that the play's tragicomic tenor and escape plot have had a tangible influence on popular culture, from romantic fiction to Hollywood action films. The thirteen chapters illustrate how reactions to the play
have evolved from the ancient admiration of Aristotle and Ovid, the Christian responses of Milton and Catherine the Great, the anthropological ritualists and theatrical Modernists including James Frazer and Isadora Duncan, to recent feminist and postcolonial dramatists from Mexico to Australia.
Individual chapters are devoted to the most significant adaptations of the tragedy, Gluck's opera Iphigénie en Tauride and Goethe's verse drama Iphigenie auf Tauris. Richly illustrated and accessibly written, with all texts translated into English, Adventures with Iphigenia in Tauris argues
elegantly for a reappraisal of this Euripidean masterpiece.