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Isak Dinesen and the Engendering of Narrative
Contributor(s): Aiken, Susan Hardy (Author)
ISBN: 0226011127     ISBN-13: 9780226011127
Publisher: University of Chicago Press
OUR PRICE:   $115.83  
Product Type: Hardcover - Other Formats
Published: April 1990
Qty:
Temporarily out of stock - Will ship within 2 to 5 weeks
Annotation: For Aiken's generation, it will be the most original, forceful, provocative, and elegant critical reading of this Danish writer. An independent study on feminist theory and criticism.
Additional Information
BISAC Categories:
- Literary Criticism | European - Scandinavian
- Social Science
Dewey: 839.813
LCCN: 89020482
Series: Women in Culture and Society
Physical Information: 0.99" H x 6.35" W x 9.32" (1.30 lbs) 350 pages
 
Descriptions, Reviews, Etc.
Publisher Description:
Although Isak Dinesen has been widely acclaimed as a popular writer, her work has received little sustained critical attention. In this revisionist study, Susan Hardy Aiken takes up the complex relations of gender, sexuality, and representation in Dinesen's narratives. Drawing on feminist, psychoanalytic, and post-structuralist theories, Aiken shows how the form and meaning of Dinesen's texts are affected by her doubled situations as a Dane who wrote in English, a European who lived for many years in Africa, and a woman who wrote under a male pseudonym within a male-centered literary tradition.

In a series of readings that range across Dinesen's career, Aiken demonstrates that Dinesen persistently asserted the inseparability of gender and the engendering of narrative. She argues that Dinesen's texts anticipate in remarkable ways some of the most radical insights of contemporary literary theories, particularly those of French feminist criticism. Aiken also offers a major rereading of Out of Africa that both addresses its distinctiveness as a colonialist text and places it within Dinesen's larger oeuvre.

In Aiken's account, Dinesen's work emerges as a compelling inquiry into sexual difference and the ways it informs culture, subjectivity, and the language that is their medium. This important book will at last give Isak Dinesen's work the prominence it deserves in literary studies.