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Mistress and Maid (Jiohong Ji) by Meng Chengshun
Contributor(s): Birch, Cyril (Translator)
ISBN: 0231121695     ISBN-13: 9780231121699
Publisher: Columbia University Press
OUR PRICE:   $36.63  
Product Type: Paperback - Other Formats
Published: March 2001
Qty:
Annotation: "Mistress & Maid," one of the greatest tragedies of Chinese drama, is here available for the first time in English. Acclaimed translator Cyril Birch presents the bittersweet tale of Bella, daughter of the Wang family, her maid Petal, and the young scholar Shen Chun. After her father reneges on her marital pact, Bella refuses to renounce her love for Shen, with whom she has vowed to share "in life one room, in death one tomb." The subversion of both conventional morality and the arranged marriage through vivid drama and witty comic scenes makes this seventeenth-century play particularly innovative. Chinese critics have hailed it as essentially revolutionary for its depiction of youthful resistance to latter-day Confucian values, but as Birch notes in the introduction, "the glory of "Mistress & Maid" is the tender delicacy of the lovers' interactions." This depth of feeling also distinguishes the play from others of the "talent-meets-beauty" genre so prevalent during the late-imperial age.
Additional Information
BISAC Categories:
- Drama | Asian - General
- Drama | Ancient & Classical
Dewey: 895.124
LCCN: 00034583
Lexile Measure: 1070
Series: Translations from the Asian Classics
Physical Information: 0.88" H x 6" W x 9" (1.27 lbs) 288 pages
Themes:
- Cultural Region - Chinese
- Cultural Region - Southeast Asian
 
Descriptions, Reviews, Etc.
Publisher Description:
Mistress & Maid, one of the greatest tragedies of Chinese drama, is here available for the first time in English. Acclaimed translator Cyril Birch presents the bittersweet tale of Bella, daughter of the Wang family, her maid Petal, and the young scholar Shen Chun. After her father reneges on her marital pact, Bella refuses to renounce her love for Shen, with whom she has vowed to share "in life one room, in death one tomb." The subversion of both conventional morality and the arranged marriage through vivid drama and witty comic scenes makes this seventeenth-century play particularly innovative. Chinese critics have hailed it as essentially revolutionary for its depiction of youthful resistance to latter-day Confucian values, but as Birch notes in the introduction, "the glory of Mistress & Maid is the tender delicacy of the lovers' interactions." This depth of feeling also distinguishes the play from others of the "talent-meets-beauty" genre so prevalent during the late-imperial age.