| The Resurrected Skeleton: From Zhuangzi to Lu Xun Contributor(s): Idema, Wilt (Author) |
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ISBN: 0231165048 ISBN-13: 9780231165044 Publisher: Columbia University Press OUR PRICE: $64.35 Product Type: Hardcover - Other Formats Published: July 2014 |
| Additional Information |
| BISAC Categories: - Literary Criticism | Asian - Chinese - Religion | Taoism (see Also Philosophy - Taoist) - Philosophy | Taoist |
| Dewey: 895.109 |
| LCCN: 2013027557 |
| Series: Translations from the Asian Classics (Hardcover) |
| Physical Information: 1.2" H x 5.8" W x 9.1" (1.36 lbs) 344 pages |
| Themes: - Cultural Region - Asian - Religious Orientation - Taoism - Cultural Region - Chinese |
| Descriptions, Reviews, Etc. |
| Publisher Description: The early Chinese text Master Zhuang (Zhuangzi) is well known for its relativistic philosophy and colorful anecdotes. In the work, Zhuang Zhou ca. 300 B.C.E.) dreams that he is a butterfly and wonders, upon awaking, if he in fact dreamed that he was a butterfly or if the butterfly is now dreaming that it is Zhuang Zhou. The text also recounts Master Zhuang's encounter with a skull, which praises the pleasures of death over the toil of living. This anecdote became popular with Chinese poets of the second and third century C.E. and found renewed significance with the founders of Quanzhen Daoism in the twelfth century. The Quanzhen masters transformed the skull into a skeleton and treated the object as a metonym for death and a symbol of the refusal of enlightenment. Later preachers made further revisions, adding Master Zhuang's resurrection of the skeleton, a series of accusations made by the skeleton against the philosopher, and the enlightenment of the magistrate who judges their case. The legend of the skeleton was widely popular throughout the Ming dynasty (1368-1644), and the fiction writer Lu Xun (1881-1936) reimagined it in the modern era. The first book in English to trace the development of the legend and its relationship to centuries of change in Chinese philosophy and culture, The Resurrected Skeleton translates and contextualizes the story's major adaptations and draws parallels with the Muslim legend of Jesus's encounter with a skull and the European tradition of the Dance of Death. Translated works include versions of the legend in the form of popular ballads and plays, together with Lu Xun's short story of the 1930s, underlining the continuity between traditional and modern Chinese culture. |
Contributor Bio(s): Idema, Wilt: - Wilt L. Idema is Professor emeritus at Harvard University in Chinese Literature and has published widely in both English and Dutch, especially on Chinese drama and fiction. Among his publications are A Guide to Chinese Literature (Michigan, 1997); The Red Brush: Writing Women in Imperial China (Harvard Asia Center, 2004); Meng Jiangnü Brings Down the Great Wall: Ten Versions of a Chinese Legend (Washington, 2008); The Resurrected Skeleton: From Zhuangzi to Lu Xun (Columbia, 2014); and The Orphan of Zhao and Other Yuan Plays (Columbia, 2014). |