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Genuine Pretending: On the Philosophy of the Zhuangzi
Contributor(s): Moeller, Hans-Georg (Author), D'Ambrosio, Paul J. (Author)
ISBN: 0231183984     ISBN-13: 9780231183987
Publisher: Columbia University Press
OUR PRICE:   $118.80  
Product Type: Hardcover - Other Formats
Published: October 2017
Qty:
Temporarily out of stock - Will ship within 2 to 5 weeks
Additional Information
BISAC Categories:
- Philosophy | Taoist
- Religion | Taoism (see Also Philosophy - Taoist)
- Philosophy | Ethics & Moral Philosophy
Dewey: 181.114
LCCN: 2017003660
Physical Information: 0.8" H x 6" W x 9.1" (1.00 lbs) 240 pages
Themes:
- Religious Orientation - Taoism
- Cultural Region - Chinese
 
Descriptions, Reviews, Etc.
Publisher Description:
Genuine Pretending is an innovative and comprehensive new reading of the Zhuangzi that highlights the critical and therapeutic functions of satire and humor. Hans-Georg Moeller and Paul J. D'Ambrosio show how this Daoist classic, contrary to contemporary philosophical readings, distances itself from the pursuit of authenticity and subverts the dominant Confucianism of its time through satirical allegories and ironical reflections.

With humor and parody, the Zhuangzi exposes the Confucian demand to commit to socially constructed norms as pretense and hypocrisy. The Confucian pursuit of sincerity establishes exemplary models that one is supposed to emulate. In contrast, the Zhuangzi parodies such venerated representations of wisdom and deconstructs the very notion of sagehood. Instead, it urges a playful, skillful, and unattached engagement with socially mandated duties and obligations. The Zhuangzi expounds the Daoist art of what Moeller and D'Ambrosio call "genuine pretending" the paradoxical skill of not only surviving but thriving by enacting social roles without being tricked into submitting to them or letting them define one's identity. A provocative rereading of a Chinese philosophical classic, Genuine Pretending also suggests the value of a Daoist outlook today as a way of seeking existential sanity in an age of mass media's paradoxical quest for originality.