| Listening in Paris: A Cultural History Volume 21 Contributor(s): Johnson, James H. (Author) |
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ISBN: 0520206487 ISBN-13: 9780520206489 Publisher: University of California Press OUR PRICE: $34.60 Product Type: Paperback - Other Formats Published: December 1996 Annotation: This book grew from a simple question. Why did French audiences become silent? Eighteenth-century travelers' accounts of the Paris Opera and memoirs of concertgoers describe a busy, preoccupied public, at times loud and at others merely sociable, but seldom deeply attentive. |
| Additional Information |
| BISAC Categories: - Music | History & Criticism - General - History | Europe - General - Music | Genres & Styles - Opera |
| Dewey: 780.944 |
| Series: Studies on the History of Society and Culture |
| Physical Information: 0.96" H x 5.89" W x 8.99" (1.16 lbs) 363 pages |
| Descriptions, Reviews, Etc. |
| Publisher Description: Beginning with the simple question, Why did audiences grow silent? Listening in Paris gives a spectator's-eye view of opera and concert life from the Old Regime to the Romantic era, describing the transformation in musical experience from social event to profound aesthetic encounter. James H. Johnson recreates the experience of audiences during these rich decades with brio and wit. Woven into the narrative is an analysis of the political, musical, and aesthetic factors that produced more engaged listening. Johnson shows the gradual pacification of audiences from loud and unruly listeners to the attentive public we know today. Drawing from a wide range of sources--novels, memoirs, police files, personal correspondence, newspaper reviews, architectural plans, and the like--Johnson brings the performances to life: the hubbub of eighteenth-century opera, the exuberance of Revolutionary audiences, Napoleon's musical authoritarianism, the bourgeoisie's polite consideration. He singles out the music of Gluck, Haydn, Rossini, and Beethoven as especially important in forging new ways of hearing. This book's theoretical edge will appeal to cultural and intellectual historians in many fields and periods. |