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The Court Cities of Northern Italy: Milan, Parma, Piacenza, Mantua, Ferrara, Bologna, Urbino, Pesaro, and Rimini
Contributor(s): Rosenberg, Charles M. (Editor)
ISBN: 0521792487     ISBN-13: 9780521792486
Publisher: Cambridge University Press
OUR PRICE:   $256.50  
Product Type: Hardcover
Published: June 2010
Qty:
Temporarily out of stock - Will ship within 2 to 5 weeks
Additional Information
BISAC Categories:
- Art | History - General
Dewey: 709.45
LCCN: 2009044265
Series: Artistic Centers of the Italian Renaissance
Physical Information: 1.1" H x 8.6" W x 11" (3.61 lbs) 468 pages
Themes:
- Cultural Region - Italy
 
Descriptions, Reviews, Etc.
Publisher Description:
This volume examines the painting, sculpture, decorative arts, and architecture produced in nine important court cities of Italy during the course of the fourteenth, fifteenth, and sixteenth centuries. The six essays, which were specially commissioned for this volume, examine the development of patronage as well as the production of art in Milan, Parma, Piacenza, Mantua, Ferrara, Bologna, Urbino, Pesaro, and Rimini. They explore the interaction of artists and their civic and/or courtly patrons within the context of prevailing cultural, political, and religious circumstances. Although each chapter represents a separate study of a particular geographical locale, many common themes emerge, including the nature of artistic practice; the concept of the court artist; the politics of local and foreign styles; the role of corporate and individual patronage and production; the circulation of artists and images in Northern Italy and beyond; the function of art in constructing individual and group identity; and the relationships among science, theology, and the visual arts, particularly in the sixteenth century. A multifaceted consideration of the art created for princes, prelates, confraternities, and civic authorities - works displayed in public squares, private palaces, churches, and town halls - Northern Court Cities of Italy provides a rich supplement to traditional accounts of the artistic heritage of the Italian Renaissance, which have traditionally focused on the Florentine, Venetian, and Roman traditions. The book includes both 35 color plates and 221 black and white illustrations.

Contributor Bio(s): Rosenberg, Charles M.: - Charles Rosenberg is Professor of Art History at the University of Notre Dame. A recipient of an NEH Rome Prize Fellowship and an I Tatti NEH Fellowship, he is the author of The Este Monuments and Urban Development in Renaissance Ferrara and editor of Art and Politics in Late Medieval and Early Renaissance Italy, 1250-1515.