| Anglo-Saxon Styles Contributor(s): Karkov, Catherine E. (Editor), Brown, George Hardin (Editor) |
|
 |
ISBN: 0791458709 ISBN-13: 9780791458709 Publisher: State University of New York Press OUR PRICE: $35.10 Product Type: Paperback - Other Formats Published: September 2003 Annotation: Considers the definitions and implications of style in Anglo-Saxon art and literature. Art historian Meyer Schapiro defined style as "the constant form--and sometimes the constant elements, qualities, and expression--in the art of an individual or group. "Today, style is frequently overlooked as a critical tool, with our interest instead resting with the personal, the ephemeral, and the fragmentary. Anglo-Saxon Styles demonstrates just how vital style remains in a methodological and theoretical prism, regardless of the object, individual, fragment, or process studied. Contributors from a variety of disciplines--including literature, art history, manuscript studies, philology, and more--consider the definitions and implications of style in Anglo-Saxon culture and in contemporary scholarship. They demonstrate that the idea of style as a "constant form" has its limitations, and that style is in fact the ordering of form, both verbal and visual. Anglo-Saxon texts and images carry meanings and express agendas, presenting us with paradoxes and riddles that require us to keep questioning the meanings of style. |
| Additional Information |
| BISAC Categories: - Literary Criticism | Medieval - Art | European - History | Europe - Medieval |
| Dewey: 700.942 |
| LCCN: 2002192958 |
| Series: Suny Medieval Studies |
| Physical Information: 0.72" H x 5.7" W x 9.16" (0.95 lbs) 328 pages |
| Themes: - Chronological Period - Medieval (500-1453) |
| Descriptions, Reviews, Etc. |
| Publisher Description: Art historian Meyer Schapiro defined style as the constant form--and sometimes the constant elements, qualities, and expression--in the art of an individual or group. Today, style is frequently overlooked as a critical tool, with our interest instead resting with the personal, the ephemeral, and the fragmentary. Anglo-Saxon Styles demonstrates just how vital style remains in a methodological and theoretical prism, regardless of the object, individual, fragment, or process studied. Contributors from a variety of disciplines--including literature, art history, manuscript studies, philology, and more-- consider the definitions and implications of style in Anglo-Saxon culture and in contemporary scholarship. They demonstrate that the idea of style as a constant form has its limitations, and that style is in fact the ordering of form, both verbal and visual. Anglo-Saxon texts and images carry meanings and express agendas, presenting us with paradoxes and riddles that require us to keep questioning the meanings of style. |