| Yiddish Fiction and the Crisis of Modernity, 1905-1914 Contributor(s): Krutikov, Mikhail (Author) |
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ISBN: 0804735468 ISBN-13: 9780804735469 Publisher: Stanford University Press OUR PRICE: $71.25 Product Type: Hardcover - Other Formats Published: August 2002 Annotation: " Krutikov' s work is a welcome addition to the growing field of Yiddish literary studies." -- The Russian Review " In this remarkably readable book, Krutikov constructs, with elegance and rigor, sturdy bridges built out of the disparate offerings of Yiddish litterateurs spanning the turbulent, shifting historical terrain between the Russian revolution in 1905 and the onset of World War I in 1914 . . . .This book is requisite for scholars and students of history, literary theory and criticism, and twentieth-century Yiddish literature. It will undoubtedly be captivating for the general reader as well." -- Religious Studies Review |
| Additional Information |
| BISAC Categories: - Literary Criticism | Jewish |
| Dewey: 839.133 |
| LCCN: 2001020689 |
| Lexile Measure: 1410 |
| Series: Stanford Studies in Jewish History and Culture |
| Physical Information: 0.81" H x 6.38" W x 9.3" (1.07 lbs) 264 pages |
| Themes: - Chronological Period - 20th Century - Ethnic Orientation - Jewish |
| Descriptions, Reviews, Etc. |
| Publisher Description: This book examines representations of modernity in Yiddish literature between the Russian revolution of 1905 and the beginning of the First World War. Within Jewish society, and particularly Eastern European Jewish society, modernity was often experienced as a series of incursions and threats to traditional Jewish life. Writers explored these perceived crises in their work, in the process reconsidering the role and function of Yiddish literature itself. The orientation of nineteenth-century Yiddish fiction toward the shtetl came into conflict with the sense of reality of young writers, who felt themselves part of a rapidly changing modern urban environment. This opposition between the generations was reflected in their principles of plot construction. The conservatives employed cyclical patterns, producing mythological schemes for incorporating the new experience into the traditional order. Modernists emphasized the uniqueness of the new, and therefore preferred a linear organization of plot with emphasis on the transformation of individual character. The texts under discussion (primarily novels and novellas) are analyzed with respect to the way they represent different aspects of the modern world: economic change, revolutionary politics, emigration, and the emancipation of women. The author's methodology draws upon a variety of semiotic, structuralist, and psychoanalytic approaches, informed by insights derived from the Soviet Marxist tradition. The writers treated in the book include the classical figures Sholem Aleichem and Y. L. Peretz, their lesser-known contemporaries Yankev Dinezon, Mordkhe Spektor, and S. Ansky, younger authors from Russia and Poland, including Sholem Asch, David Bergelson, and Itche-Meir Weissenberg, and the American Yiddish writers Leon Kobrin, David Ignatov, Joseph Opatoshu, Isaac Raboy, and Morris-Jonah Haimowitz. |