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The Novel: Language and Narrative from Cervantes to Calvino
Contributor(s): Brink, André (Author)
ISBN: 0814713300     ISBN-13: 9780814713303
Publisher: New York University Press
OUR PRICE:   $88.11  
Product Type: Hardcover - Other Formats
Published: April 1998
Qty:
Annotation: "The novel, Brink argues, is not about representation but the self-conscious play of language. From its inception, he suggests, the genre has been about the act of writing and self-reflection. This thesis is not new but is part of the currency of postmodern literary theory. Brink, himself a noted South African novelist, the author of some 12 books, including "A Dry White Season" (1984), and a university professor, brings the insight of an insider. He surveys 15 celebrated novels, historically arranged from "Don Quixote" and "La Princesse de Cleves" to A.S. Byatt's "Possession" and Italo Calvino's "If on a Winter Night a Traveller" examining each in terms of its play with writing and language. His discussions are marked by clarity, insight, and comprehension. A valuable book."
"--Thomas L. Cooksey, Library Journal"

"What a treat to explore the novel as a genre through the lucid eyes of Andr Brink, himself one of the world's foremost novelists! I particularly enjoyed the way in which the most traditional novels wererevealed as contemporary and entirely relevant."
"--Ariel Dorfman"

The postmodernist novel has become famous for the extremes of its narcissistic involvement with language. In this challenging and wide-ranging new study, Andr Brink argues that this self-consciousness has been a defining characteristic of the novel since its inception. Taking as his starting point "the propensity for story" embedded in all language, he demonstrates that the old familiar novels may be the more startlingly modern, while postmodernist texts remain more firmlyrooted in convention.

From the beginnings of the genre with Don Quixote, through "classic" novels of the eighteenth and nineteenthcenturies and modern and postmodern texts of the twentieth, Brink performs a sweeping analysis of 500 years of the novel, including "Moll Flanders," "Emma," "Madame Bovary," "The Trial," "One Hundred Years of Solitude," and "Possession," As an internationally recognized novelist, he brings a unique critical eye and enthusiasm to his exploration of the genre, offering the reader a refreshing and rewarding introduction to the novel and narrative theory.

Additional Information
BISAC Categories:
- Literary Criticism
Dewey: 809.3
LCCN: 97048400
Physical Information: 1.09" H x 5.63" W x 8.69" (1.26 lbs) 288 pages
 
Descriptions, Reviews, Etc.
Publisher Description:

The novel, Brink argues, is not about representation but the self-conscious play of language. From its inception, he suggests, the genre has been about the act of writing and self-reflection. This thesis is not new but is part of the currency of postmodern literary theory. Brink, himself a noted South African novelist, the author of some 12 books, including A Dry White Season (1984), and a university professor, brings the insight of an insider. He surveys 15 celebrated novels, historically arranged from Don Quixote and La Princesse de Cleves to A.S. Byatt's Possession and Italo Calvino's If on a Winter Night a Traveller examining each in terms of its play with writing and language. His discussions are marked by clarity, insight, and comprehension. A valuable book.
--Thomas L. Cooksey, Library Journal
What a treat to explore the novel as a genre through the lucid eyes of André Brink, himself one of the world's foremost novelists! I particularly enjoyed the way in which the most traditional novels were revealed as contemporary and entirely relevant.
--Ariel Dorfman
The postmodernist novel has become famous for the extremes of its narcissistic involvement with language. In this challenging and wide-ranging new study, André Brink argues that this self-consciousness has been a defining characteristic of the novel since its inception. Taking as his starting point the propensity for story embedded in all language, he demonstrates that the old familiar novels may be the more startlingly modern, while postmodernist texts remain more firmly rooted in convention.
From the beginnings of the genre with Don Quixote, through classic novels of the eighteenth and nineteenth centuries and modern and postmodern texts of the twentieth, Brink performs a sweeping analysis of 500 years of the novel, including Moll Flanders, Emma, Madame Bovary, The Trial, One Hundred Years of Solitude, and Possession. As an internationally recognized novelist, he brings a unique critical eye and enthusiasm to his exploration of the genre, offering the reader a refreshing and rewarding introduction to the novel and narrative theory.


Contributor Bio(s): Brink, Andre: -

André Brink is Professor of English at the University of Cape Town in South Africa. His novels, including A Dry White Season, Instant in the Wind, An Act of Terror, and Imaginings of Sand, have been published in twenty-nine languages.