Pranksters: Making Mischief in the Modern World Contributor(s): McLeod, Kembrew (Author) |
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ISBN: 081479629X ISBN-13: 9780814796290 Publisher: New York University Press OUR PRICE: $30.40 Product Type: Hardcover Published: April 2014 |
Additional Information |
BISAC Categories: - Social Science | Media Studies - True Crime | Con Artists, Hoaxes & Deceptions - History | Social History |
Dewey: 001.95 |
LCCN: 2013029825 |
Physical Information: 1.17" H x 6.32" W x 9.29" (1.37 lbs) 364 pages |
Themes: - Chronological Period - Modern |
Descriptions, Reviews, Etc. |
Publisher Description: From Benjamin Jonathan Swift, WITCH, The Yes Men, and Stephen Colbert, Kembrew McLeod shows how staged spectacles that balance the serious and humorous can spark important public conversations. In some instances, tricksters have incited social change (and unfortunate prank blowback) by manipulating various forms of media, from newspapers to YouTube. For example, in the 1960s, self-proclaimed "professional hoaxer" Alan Abel lampooned America's hypocritical sexual mores by using conservative rhetoric to fool the news media into covering a satirical organization that advocated clothing naked animals. In the 1990s, Sub Pop Records then-receptionist Megan Jasper satirized the commodification of alternative music culture by pranking the New York Times into reporting on her fake lexicon of "grunge speak." Throughout this book, McLeod shows how pranks interrupt the daily flow of approved information and news, using humor to underscore larger, pointed truths. Written in an accessible, story-driven style, Pranksters reveals how mischief makers have left their shocking, entertaining, and educational mark on modern political and social life. |
Contributor Bio(s): McLeod, Kembrew: - Kembrew McLeod is a writer, filmmaker, and Professor of Communication Studies at the University of Iowa, and occasional prankster. He is the author of Creative License, Cutting Across Media, Owning Culture, and the award-winning Freedom of Expression(R). McLeod's writing has appeared in the New York Times, Los Angeles Times, Village Voice, and Rolling Stone. |