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Crinoline: Fashion's Most Magnificent Disaster
Contributor(s): Pellerin, Denis (Author), May, Brian (Author)
ISBN: 0957424620     ISBN-13: 9780957424623
Publisher: London Stereoscopic Company
OUR PRICE:   $67.50  
Product Type: Hardcover
Published: October 2016
Qty:
Temporarily out of stock - Will ship within 2 to 5 weeks
Additional Information
BISAC Categories:
- Design | Fashion & Accessories
- Photography | Subjects & Themes - Fashion
Physical Information: 1.4" H x 9.6" W x 12.8" (4.40 lbs) 224 pages
 
Descriptions, Reviews, Etc.
Publisher Description:
Crinoline: Fashion's Most Magnificent Disaster is about a fashion which died a natural death more than 100 years ago, and was itself responsible for the deaths of thousands - literally fashion victims

This beautifully packaged volume also comes in a slip cover and includes a 3-D viewer. A comprehensive history of the development of crinolines, this wholly unique and engaging volume weaves together contemporary accounts, 3-D photographs, cartoons and drawings from the excitable Victorian press to tell the story of Fashion's Most Magnificent Disaster. Originally a name for the stiff horse hair fabric used to add volume to women's dresses, Crinoline eventually became a blanket term for the ivory, wood, or wire structures that gave Victorian gowns their famously exaggerated proportions. Crinolines are still around today, but while they may be used to add a playful lift to the designs of fashion luminaries such as Zandra Rhodes, Vivienne Westwood, John Galliano, Jean-Paul Gaultier, Alexander McQueen and Yohji Yamamoto, few might be aware that this enduring fashion item harbors a dark and gruesome secret. Coming into vogue in France around 1856, this outrageous style would quickly come to dominate women's fashion for over a decade. However, due to their flammable materials and overwhelming dimensions which made them likely to bump into nearby candles and fireplaces, this fashion craze soon became a nightmare. It's estimated that by the mid-1860s, crinolines had caused thousands of fire-related deaths and had been blamed for the financial ruin of countless families. The rise and fall of crinolines also happened to perfectly coincide with the advent of stereoscopy, a method for creating the illusion of three-dimensional depth in two-dimensional photographs with the use of specially made viewing glasses. This book documents both of these Victorian crazes in brilliant detail, allowing readers to gaze upon some of the world's first true fashion victims in stunning 3-D.


Contributor Bio(s): Pellerin, Denis: - Denis Pellerin has written several books and articles on 19th-century stereo photography for various magazines, institutions and museums. He graduated as an MA in Art History at the Sorbonne in 1999 and has since been specializing in French and British Victorian genre stereo views. He is also currently working on his PhD.May, Brian: - Brian May, CBE, PhD, FRAS is a founding member of Queen, a world-renowned guitarist, songwriter, producer and performer. Brian postponed a career in astronomy when Queen's popularity first exploded, but after an incendiary 30 years as a rock musician, returned to astrophysics in 2006, when he completed his PhD and coauthored his first book, Bang! The Complete History of the Universe, with Patrick Moore and Chris Lintott. Stereoscopy has been a life-long passion, and his second book, A Village Lost and Found, written with Elena Vidal, introduced the genius of Victorian stereo photographer T. R. Williams to a global audience. His other books on stereoscopy include Diableries and The Poor Man's Picture Gallery.