| The connection: between Henrik Ibsen and the Stockmann family Contributor(s): Widerberg, Hilde (Author) |
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ISBN: 1496179005 ISBN-13: 9781496179005 Publisher: Createspace Independent Publishing Platform OUR PRICE: $9.02 Product Type: Paperback Published: March 2014 |
| Additional Information |
| BISAC Categories: - Biography & Autobiography | Artists, Architects, Photographers |
| Physical Information: 0.09" H x 6" W x 9" (0.13 lbs) 34 pages |
| Descriptions, Reviews, Etc. |
| Publisher Description: Henrik Johan Ibsen was a major 19th-century Norwegian playwright, theatre director, and poet. He is often referred to as "the father of realism" and is one of the founders of Modernism in theatre. His major works include Brand, Peer Gynt, An Enemy of the People, Emperor and Galilean, A Doll's House, Hedda Gabler, Ghosts, The Wild Duck, Rosmersholm, and The Master Builder. He is the most frequently performed dramatist in the world after Shakespeare, and A Doll's House became the world's most performed play by the early 20th century. Several of his plays were considered scandalous to many of his era, when European theatre was required to model strict morals of family life and propriety. Ibsen's work examined the realities that lay behind many facades, revealing much that was disquieting to many contemporaries. It utilized a critical eye and free inquiry into the conditions of life and issues of morality. The poetic and cinematic play Peer Gynt, however, has strong surreal elements. Ibsen is often ranked as one of the truly great playwrights in the European tradition. He is widely regarded as the most important playwright since Shakespeare. Ibsen wrote his plays in Danish (the common written language of Denmark and Norway) and they were published by the Danish publisher Gyldendal. Although most of his plays are set in Norway-often in places reminiscent of Skien, the port town where he grew up-Ibsen lived for 27 years in Italy and Germany, and rarely visited Norway during his most productive years. Born into a merchant family connected to the patriciate of Skien, his dramas were shaped by his family background. In the Wild Duck the first act opens with a dinner party hosted by H kon Werle, a wealthy merchant and industrialist. The gathering is attended by his son, Gregers Werle, who has just returned to his father's home following a self-imposed exile. There, he learns the fate of a former classmate, Hjalmar Ekdal. Hjalmar married Gina, a young servant in the Werle household. The elder Werle had arranged the match by providing Hjalmar with a home and profession as a photographer. Gregers, whose mother died believing that Gina and her husband had carried on an affair, becomes enraged at the thought that his old friend is living a life built on a lie. Hjalmar runs a busy portrait studio out of the apartment. Gina helps him run the business in addition to keeping house. They both dote on their daughter Hedvig. The family eagerly reveals a loft in the apartment where they keep various animals like rabbits and pigeons. Most prized is the wild duck they rescued. The duck was wounded by none other than Werle, whose eyesight is failing. His shot winged the duck, which dove to the bottom of the lake to drown itself by clinging to the seaweed. Werle's dog retrieved it though, and despite its wounds from the shot and the dog's teeth, the Ekdals had nursed the duck back to good health. |