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Trying to Find Chinatown: The Selected Plays
Contributor(s): Hwang, David Henry (Author)
ISBN: 1559361727     ISBN-13: 9781559361729
Publisher: Theatre Communications Group
OUR PRICE:   $17.96  
Product Type: Paperback - Other Formats
Published: December 1999
Qty:
Annotation: David Henry Hwang has the potential to become the first important dramatist of American public life since Arthur Miller, and maybe the best of them all. -"Detroit News"

David Henry Hwang has created an extraordinary body of work over the last twenty years: the Tony Award-winning play, "M. Butterfly"; the OBIE Award-winning and 1998 Tony nominated "Golden Child"; the libretti to "The Voyage" (included here) and "1000 Airplanes on the Roof" (both for composer Philip Glass); and the book to "Aida," which he coauthored. He has received fellowships from the Rockefeller and Guggenheim foundations, the National Endowment for the Arts, the New York State Council on the Arts and The Pew /TCG National Artists Residency Program.

This eight-play collection includes:

"FOB": "fresh off the boat" explores the conflicts between old and new worlds
"The Dance and the Railroad": a haunting play about the inhuman conditions of railroad workers in the 1860s American West
"Family Devotions": a biting work which probes the religious conflicts in a modern Chinese-American family
"The Sound of a Voice": a meditation on the traditional roles of man and woman set in feudal Japan
"The House of Sleeping Beauties": a reworking of a novella by Yasunari Kawabata
"The Voyage": the libretto to the opera by Philip Glass, which examines Columbus's arrival in America
"Bondage": a one-act set in an S&M parlor, which examines racial stereotypes and sexual myths
"Trying to Find Chinatown": a two-person play, in which two Asian-American men-one searching for his Asian heritage, the other trying to shake himself free-meet by chance in New York City

"David Henry Hwang knows America-itsvernacular, its social landscape, its theatrical traditions. He knows the same about China. In his plays, he manages to mix both of these conflicting cultures until he arrives at a style that is wholly his own. Hwang's works have the verve of the well-made American stage comedies and yet, with little warning, they bubble over into the mystical rituals of Asian stagecraft. By at once bringing West and East into conflict and unity, this playwright has found the perfect

Additional Information
BISAC Categories:
- Social Science | Ethnic Studies - Asian American Studies
Dewey: 812.54
LCCN: 99044197
Physical Information: 0.77" H x 5.24" W x 8.68" (0.90 lbs) 320 pages
Themes:
- Ethnic Orientation - Asian
 
Descriptions, Reviews, Etc.
Publisher Description:
"David Henry Hwang is a true original. A native of Los Angeles, born to immigrant parents, he has one foot on each side of a cultural divide. He knows America - its vernacular, its social landscape, its theatrical traditions. He knows the same about China. In his plays, he manages to mix both of these conflicting cultures until he arrives at a style that is wholly his own. Mr. Hwang's works have the verve of well-made American comedies and yet, with little warning, they can bubble over into the mystical rituals of Oriental stagecraft. By at once bringing West and East into conflict and unity, this playwright has found the perfect means to dramatize both the pain and humor of the immigrant experience." -Frank Rich, New York Times

Throughout his career, David Henry Hwang has explored the complexities of forging Eastern and Western cultures in a contemporary America. Over the past twenty years, his extraordinary body of work has been marked by a deep desire to reaffirm the common humanity in all of us. This volume collects a generous selection of Mr. Hwang's plays, including FOB, The Dance and the Railroad, Family Devotions, The Sound of a Voice, The House of Sleeping Beauties, The Voyage, Bondage, and Trying to Find Chinatown.

FOB is an OBIE Award-winning play that explores the contrasting experiences, attitudes, and conflicts of established Asian Americans and fresh-off-the-boat (FOB) Asian immigrants. One of David Henry Hwang's earliest plays, FOB has been called "a theatrically provocative combination of realism and fantasy... A sensitive, insightful, and multilevel play" (Christian Science Monitor).

In The Dance and the Railroad, two Chinese workers on the Transcontinental Railroad struggle through poverty and hunger to reconnect with the traditions of their homeland. "An evocative portrait of the immigrant experience," The Dance and the Railroad is set in 1867 during a strike in an Asian labor camp (New York Post).

Family Devotions takes a different look at the clash between East and West through the perspective of a Chinese American family living in a Los Angeles suburb. The Chicago Tribune calls Family Devotions "a funny and compassionate piece of writing."

The Sound of a Voice is the original story of a lone samurai warrior and his encounter with a rumored witch in the woods. Inspired by Japanese folk stories and Noh theatre, this play of desperation and desire is about "timeless human emotion, a subject made all the more powerful by dialogue that rings with the power and rhythm of poetry" (Asian Avenue Magazine).

In The House of Sleeping Beauties, an elderly man visits a unique brothel filled with sleeping virgins, where customers are only permitted to sleep in a shared bed. Based on Hwang's exploration of how the novelist Yasunari Kawabata was affected by his own stories, this play is "an earnest, considered experiment furthering an exceptional young writer's process of growth" (New York Times).

Hwang's libretto for The Voyage was written in collaboration with composer Phillip Glass for the Metropolitan Opera's 500th year celebration of Columbus Day. Instead of focusing on Christopher Columbus, however, the three act opera is a more general exploration of time, space, and possibility.

An encounter in an S&M parlor between a man and woman in full bodysuits sets the scene for Bondage, where their role play becomes "an exploration of race, love and politics in the weirdest possible contortions" (Northwest Asian Weekly).

Trying to Find Chinatown, an exploration of racial identity and appearance, revolves around the interaction between an Asian street musician and a Caucasian man who claims Asian American heritage.