| Opera and Ideology in Prague: Polemics and Practice at the National Theater, 1900-1938 Contributor(s): Locke, Brian (Author) |
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ISBN: 1580462286 ISBN-13: 9781580462280 Publisher: University of Rochester Press OUR PRICE: $137.75 Product Type: Hardcover - Other Formats Published: October 2006 Annotation: This study presents a history and analysis of the Prague musical community from 1900 until the end of democracy in 1938. Opera and Ideology in Prague not only narrates the fascinating history of a local musical community but also reveals much about music and culture in Europe. The fin-de-sicle period was dominated by the musicologist Zdenek Nejedly's polemics regarding the competing "legacies" of Smetana and Dvork and the merits of modernism. After Czech independence in 1918, a new generation of musicians accepted modernist foreign influences only with extreme hesitation. The 1926 Prague premire of Berg's opera Wozzeck and the ascendancy of a young group of avant-garde composers changed the cultural climate entirely, providing new ground for the exploration of jazz, neo-classicism, quarter tones, and socialist music. As the Czechoslovak Republic drew to a close, a resurgence of nationalism appeared in the musical expressions of both Czechs and German-Bohemians. The analyses of operas and tone poems by Novk, Ostrcil, Zich, Jeremis, Hba, Kricka, and Suk provide a cross-section of musical life in early twentieth-century Prague, as well as a series of interpretations of Czech cultural identity. Populist endeavors such as jazz and neo-classicism represented some of the ways in which composers of the 1930s attempted to regain an audience alienated by modernism: in this respect, the trends in Prague mirrored those of the rest of Europe. Brian Locke is assistant professor of music history at Western Illinois University (in Macomb). He has written extensively on twentieth-century music, including Czech operatic and symphonic works and Alban Berg's Wozzeck. |
| Additional Information |
| BISAC Categories: - Music | History & Criticism - General - Music | Genres & Styles - Opera |
| Dewey: 782.109 |
| LCCN: 2006020813 |
| Series: Eastman Studies in Music |
| Physical Information: 1.3" H x 6.3" W x 9.3" (1.95 lbs) 458 pages |
| Descriptions, Reviews, Etc. |
| Publisher Description: This study presents a history and analysis of the Prague musical community from 1900 until the end of democracy in 1938. Opera and Ideology in Prague not only narrates the fascinating history of a local musical community but also reveals much about music and culture in Europe. The fin-de-sičcle period was dominated by the musicologist Zdenek Nejedly's polemics regarding the competing "legacies" of Smetana and Dvorák and the merits of modernism.After Czech independence in 1918, a new generation of musicians accepted modernist foreign influences only with extreme hesitation. The 1926 Prague premiere of Berg's opera Wozzeck and the ascendancy of a young groupof avant-garde composers changed the cultural climate entirely, providing new ground for the exploration of jazz, neo-classicism, quarter tones, and socialist music. As the Czechoslovak Republic drew to a close, a resurgence of nationalism appeared in the musical expressions of both Czechs and German-Bohemians. The analyses of operas and tone poems by Novák, Ostrcil, Zich, Jeremiás, Hába, Kricka, and Suk provide a cross-section of musical life in early twentieth-century Prague, as well as a series of interpretations of Czech cultural identity. Populist endeavors such as jazz and neo-classicism represented some of the ways in which composers of the 1930s attempted to regain anaudience alienated by modernism: in this respect, the trends in Prague mirrored those of the rest of Europe. Brian Locke is Assistant Professor of Music History at Western Illinois University, Macomb. He has written extensively on twentieth-century music, including Czech operatic and symphonic works and Alban Berg's Wozzeck. |
Contributor Bio(s): Locke, Brian S.: - Brian Locke is assistant professor of music history at Western Illinois University [in Macomb]. |