| Pentatonicism from the Eighteenth Century to Debussy Contributor(s): Day-O'Connell, Jeremy (Author) |
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ISBN: 1580462480 ISBN-13: 9781580462488 Publisher: University of Rochester Press OUR PRICE: $137.75 Product Type: Hardcover - Other Formats Published: August 2007 Annotation: Pentatonicism from the Eighteenth Century to Debussy offers the first comprehensive account of a widely recognized aspect of music history: the increasing use of pentatonic ("black-key scale") techniques in nineteenth-century Western art-music. Pentatonicism in nineteenth-century music encompasses hundreds of instances, many of which predate by decades the more famous examples of Debussy and Dvork. This book weaves together historical commentary with music theory and analysis in order to explain the sources and significance of an important, but hitherto only casually understood, phenomenon. The book introduces several distinct categories of pentatonic practice -- pastoral, primitive, exotic, religious, and coloristic -- and examines pentatonicism in relationship to changes in the melodic and harmonic sensibility of the time. The text concludes with an additional appendix of over 400 examples, an unprecedented resource demonstrating the individual artistry with which virtually every major nineteenth-century composer (from Schubert, Chopin, and Berlioz to Liszt, Wagner, and Mahler) handled the seemingly "simple" materials of pentatonicism. Jeremy Day-O'Connell is assistant professor of music at Knox College. |
| Additional Information |
| BISAC Categories: - Music | History & Criticism - General - Music | Instruction & Study - Theory - Music | Individual Composer & Musician |
| Dewey: 781.265 |
| LCCN: 2006036187 |
| Series: Eastman Studies in Music |
| Physical Information: 1.5" H x 9.3" W x 6.4" (2.35 lbs) 566 pages |
| Descriptions, Reviews, Etc. |
| Publisher Description: Pentatonicism from the Eighteenth Century to Debussy offers the first comprehensive account of a widely recognized aspect of music history: the increasing use of pentatonic ("black-key scale") techniques in nineteenth-century Western art-music. Pentatonicism in nineteenth-century music encompasses hundreds of instances, many of which predate by decades the more famous examples of Debussy and Dvorák. This book weaves together historical commentary with music theory and analysis in order to explain the sources and significance of an important, but hitherto only casually understood, phenomenon. The book introduces several distinct categories of pentatonicpractice -- pastoral, primitive, exotic, religious, and coloristic -- and examines pentatonicism in relationship to changes in the melodic and harmonic sensibility of the time. The text concludes with an additional appendix of over 400 examples, an unprecedented resource demonstrating the individual artistry with which virtually every major nineteenth-century composer (from Schubert, Chopin, and Berlioz to Liszt, Wagner, and Mahler) handled theseemingly "simple" materials of pentatonicism. Jeremy Day-O'Connell is assistant professor of music at Knox College. |
Contributor Bio(s): Day-O'Connell, Jeremy: - Assistant Professor of Music, Knox College |