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Heinrich Schenker's Conception of Harmony
Contributor(s): Wason, Robert W. (Author), Brown, Matthew (Author)
ISBN: 1580465757     ISBN-13: 9781580465755
Publisher: University of Rochester Press
OUR PRICE:   $142.50  
Product Type: Hardcover
Published: June 2020
Qty:
Additional Information
BISAC Categories:
- Music | Instruction & Study - Theory
- Music | History & Criticism - General
- Music | Religious - Gospel
Dewey: 781.25
LCCN: 2020010715
Physical Information: 1.13" H x 6" W x 9" (1.90 lbs) 522 pages
 
Descriptions, Reviews, Etc.
Publisher Description:
What makes the compositions of Handel, Bach, Haydn, Mozart, Beethoven, Schubert, Schumann, Chopin, and Brahms stand out as great works of art? Heinrich Schenker (1868-1935) set out to answer this question in a series of treatises, beginning with a strikingly original work with the deceptive title Harmonielehre (roughly: Treatise on Harmony, 1906).

Whereas other treatises of the period associated harmony with the abstract principles governing chords and chord progressions, Schenker's treated it as the conceptual glue that allowed the individual elements of a work (melodies, motives, chords, counterpoint, etc.) to work together locally and globally. Yet this book, though renowned and much cited, has never been studied systematically and in close detail.

Heinrich Schenker's Conception of Harmony approaches Schenker's 1906 treatise as a synthesis of ancient ideas and very new ones. It translates, for the first time, two preparatory essays for Harmonielehre and describes his later views of harmony and the ways in which they influenced and also were ignored by the 1954 edition and translation, entitled simply Harmony. Though problematic, Harmony was the first published translation of a major work by Schenker, inaugurating the study of his writings in postwar America and Britain, where they continue to be highly influential.

Robert W. Wason is Professor Emeritus of Music Theory and Affiliate Faculty in Jazz and Contemporary Media at the Eastman School of Music.

Matthew Brown is Professor of Music Theory at the Eastman School of Music