| African Filmmaking: Five Formations Contributor(s): Harrow, Kenneth W. (Editor) |
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ISBN: 1611862450 ISBN-13: 9781611862454 Publisher: Michigan State University Press OUR PRICE: $17.96 Product Type: Paperback - Other Formats Published: May 2017 |
| Additional Information |
| BISAC Categories: - Performing Arts | Film - History & Criticism - Art | Film & Video - Art | African |
| Dewey: 791.430 |
| LCCN: 2016027893 |
| Series: African Humanities and the Arts |
| Physical Information: 0.8" H x 6" W x 8.9" (0.95 lbs) 314 pages |
| Themes: - Cultural Region - African |
| Descriptions, Reviews, Etc. |
| Publisher Description: This volume attempts to join the disparate worlds of Egyptian, Maghrebian, South African, Francophone, and Anglophone African cinema--that is, five "formations" of African cinema. These five areas are of particular significance--each in its own way. The history of South Africa, heavily marked by apartheid and its struggles, differs considerably from that of Egypt, which early on developed its own "Hollywood on the Nile." The history of French colonialism impacted the three countries of the Maghreb--Tunisia, Algeria, and Morocco--differently than those in sub-Saharan Africa, where Senegal and Semb ne had their own great effect on the Sahelian region. Anglophone Africa, particularly the films of Ghana and Nigeria, has dramatically altered the ways people have perceived African cinema for decades. History, geography, production, distribution, and exhibition are considered alongside film studies concerns about ideology and genre. This volume provides essential information for all those interested in the vital worlds of cinema in Africa since the time of the Lumi re brothers. |
Contributor Bio(s): Harrow, Kenneth W.: - Kenneth W. Harrow is Distinguished Professor of English at Michigan State University. His work focuses on African cinema and literature and diaspora and postcolonial studies. |