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The Bayeux Tapestry: New Approaches
Contributor(s): Lewis, Michael J. (Editor), Owen-Crocker, Gale R. (Editor), Terkla, Dan (Editor)
ISBN: 1785707973     ISBN-13: 9781785707971
Publisher: Oxbow Books Limited
OUR PRICE:   $56.99  
Product Type: Paperback - Other Formats
Published: March 2017
Qty:
Temporarily out of stock - Will ship within 2 to 5 weeks
Additional Information
BISAC Categories:
- Art | History - Medieval
- Crafts & Hobbies | Needlework - Needlepoint
- History | Europe - Medieval
Dewey: 746.442
Physical Information: 196 pages
Themes:
- Chronological Period - Medieval (500-1453)
 
Descriptions, Reviews, Etc.
Publisher Description:
The Bayeux Tapestry, perhaps the most famous, yet enigmatic, of medieval artworks, was the subject of an international conference at the British Museum in July 2008. This volume publishes 19 of 26 papers delivered at that conference. The physical nature of the tapestry is examined, including an outline of the artefact's current display and the latest conservation and research work done on it, as well as a review of the many repairs and alterations that have been made to the Tapestry over its long history. Also examined is the social history of the tapestry, including Shirley Ann Brown's paper on the Nazis' interest in it as a record of northern European superiority and Pierre Bouet and Fran ois Neveux's suggestion that it is a source for understanding the succession crisis of 1066. Among those papers focusing on the detail of the Tapestry, Gale Owen-Crocker examines the Tapestry's faces, Carol Neuman de Vegvar investigates the Tapestry's drinking vessels and explores differences in its feast scenes and Michael Lewis compares objects depicted in the Tapestry and Oxford, Bodleian Library, Junius 11. The book also includes a r sum of four papers given at the conference published elsewhere and a full black and white facsimile of the Tapestry, with its figures numbered for ease of referencing.

Contributor Bio(s): Owen-Crocker, Gale R.: - Gale R. Owen-Crocker is Professor Emerita at the University of Manchester, having previously been Professor of Anglo-Saxon Culture and Director of the Manchester Centre for Anglo-Saxon Studies. She has written extensively on Anglo-Saxon culture, particularly in the field of dress and textiles and has published several books. She directed the production of a database of dress/textile terms in all languages of the British Isles