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Authorial Echoes: Textuality and Self-Plagiarism in the Narrative of Luigi Pirandello
Contributor(s): O'Rawe, Catherine (Author)
ISBN: 1904713033     ISBN-13: 9781904713036
Publisher: Routledge
OUR PRICE:   $54.10  
Product Type: Paperback - Other Formats
Published: December 2003
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Temporarily out of stock - Will ship within 2 to 5 weeks
Annotation: Luigi Pirandello is best known for his experimental plays, but his narrative production has not enjoyed the same degree of critical attention. O'Rawe's study represents the first major reassessment of this output, including the 'realist' novels, the historical novel I vecchi e i giovani (1909) and the autobiographical Suo marito (1911). The book identifies in Pirandello a practice of 'self-plagiarism' - constant rewriting and revision and obsessive re-use of material - and explores the relation of these overlooked modes of composition to the author's own theories of authorship and textuality. Drawing on a wide range of critical theory, O'Rawe repositions Pirandello as a major figure in the development of European narrative modernism. Catherine O'Rawe is a Lecturer in Italian at the University of Exeter. She has published articles on Pirandello and on Sicilian fiction.
Additional Information
BISAC Categories:
- Literary Criticism | European - Italian
Dewey: 852.912
LCCN: 2005472427
Series: Legenda
Physical Information: 0.61" H x 5.68" W x 8.44" (0.58 lbs) 190 pages
Themes:
- Cultural Region - Italy
 
Descriptions, Reviews, Etc.
Publisher Description:
Luigi Pirandello is best known for his experimental plays, but his narrative production has not enjoyed the same degree of critical attention. O'Rawe's study represents the first major reassessment of this output, including the 'realist' novels, the historical novel I vecchi e i giovani (1909) and the autobiographical Suo marito (1911). The book identifies in Pirandello a practice of 'self-plagiarism' - constant rewriting and revision and obsessive re-use of material - and explores the relation of these overlooked modes of composition to the author's own theories of authorship and textuality. Drawing on a wide range of critical theory, O'Rawe repositions Pirandello as a major figure in the development of European narrative modernism.