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Apocalypse as Utopian Expectation (800-1500): The Apocalypse Commentary of Berengaudus of Ferrières and the Relationship Between Exegesis, Liturgy and
Contributor(s): Visser, Derk (Author)
ISBN: 9004106219     ISBN-13: 9789004106215
Publisher: Brill
OUR PRICE:   $152.00  
Product Type: Hardcover - Other Formats
Published: August 1996
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Annotation: This study relates the utopian expectation of (early) medieval Apocalypse commentaries to exegesis and liturgy as well as to (later) medieval art. It provides a first-time ever discussion of the commentary by Berengaudus of Ferrihres, establishes him as a Carolingian and rejects arguments for an 11th-12th-century date by way of an evaluation of extant ms. evidence. The book highlights Berengaudus' optimism about the promised new world of Apoc. 21-22. The commentary's 11th-12th-century popularity coincided with the rebuilding of churches and the author proposes a new interpretation of Romanesque Revelation iconography in Western France. In addition, the application of Berengaudus' vision to the Ghent Altarpiece permits a coherent reading of its iconology that serves as a corrective on recent studies.
Additional Information
BISAC Categories:
- Religion | Biblical Studies - New Testament - General
- Architecture | Interior Design - General
- History | Europe - Medieval
Dewey: 228.060
LCCN: 96007885
Series: Studies in the History of Christian Thought
Physical Information: 0.88" H x 6.34" W x 9.68" (1.41 lbs) 239 pages
Themes:
- Chronological Period - Medieval (500-1453)
 
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Publisher Description:
This study relates the utopian expectation of (early) medieval Apocalypse commentaries to exegesis and liturgy as well as to (later) medieval art. It provides a first-time ever discussion of the commentary by Berengaudus of Ferri res, establishes him as a Carolingian and rejects arguments for an 11th-12th-century date by way of an evaluation of extant ms. evidence. The book highlights Berengaudus' optimism about the promised new world of Apoc. 21-22. The commentary's 11th-12th-century popularity coincided with the rebuilding of churches and the author proposes a new interpretation of Romanesque Revelation iconography in Western France. In addition, the application of Berengaudus' vision to the Ghent Altarpiece permits a coherent reading of its iconology that serves as a corrective on recent studies.