| Visualizing Guadalupe: From Black Madonna to Queen of the Americas Contributor(s): Peterson, Jeanette Favrot (Author) |
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ISBN: 0292737750 ISBN-13: 9780292737754 Publisher: University of Texas Press OUR PRICE: $57.00 Product Type: Hardcover Published: January 2014 |
| Additional Information |
| BISAC Categories: - Art | Subjects & Themes - Religious - Art | Caribbean & Latin American - Art | European |
| Dewey: 704.948 |
| LCCN: 2013024217 |
| Series: Joe R. and Teresa Lozana Long Series in Latin American and Latino Art and Culture (Hardcover) |
| Physical Information: 1.2" H x 8.8" W x 11.3" (4.05 lbs) 348 pages |
| Descriptions, Reviews, Etc. |
| Publisher Description: The Virgin of Guadalupe is famously migratory, traversing continents and crossing and recrossing oceans. Guadalupe's earliest cult originated in medieval Iberia, where Our Lady of Guadalupe from Extremadura, Spain, played a significant role in the reconquista and garnered royal backing. The Spanish Guadalupe accompanied the conquistadors as part of the spiritual arsenal used to Christianize the Americas, where new images of the Virgin acted as catalysts to implant her devotion within multiethnic constituencies. This masterful study by Jeanette Favrot Peterson traces the transmission of Guadalupe as la Virgen de ida y vuelta from Spain to the Americas and back again, analyzing how the Spanish and Mexican titular images, and a selection of the copies they inspired, operated within the overlapping spheres of religion and politics. Peterson explores two central paradoxes: that only through a material object can a divine and invisible presence be authenticated and that Guadalupe's images were made to work for enacting revolutionary change while preserving the colonial status quo. She examines the artists who created images of Guadalupe, their patrons, and the diverse viewing audiences for whom those images were intended. This exegesis reveals that visual evidence functioned on a par with written texts (treatises, chronicles, and sermons of ecclesiastical officialdom) in measuring popular beliefs and political strategies. |
Contributor Bio(s): Peterson, Jeannette Favrot: - Jeannette Favrot Peterson is Professor of Art and Architectural History at the University of California at Santa Barbara. She is the author of The Paradise Garden Murals of Malinalco: Utopia and Empire in Sixteenth-Century Mexico, which won the College Art Association’s Charles Rufus Morey Book Award, and coeditor of Seeing across Cultures in the Early Modern World. |