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Bankers prowl Brooklyn bars on the eve of the stock market crash. A debate over Young Elvis versus Vegas Elvis turns existential. Detoxing junkies use a live lobster to spice up their love life. Students on summer break struggle to escape the orbit of a seemingly utopic communal house.

And in the title story, selected for The Best American Short Stories, two film school buddies working on a doomed project are left sizing up their own talent, hoping to come out on top--but fearing they won't.

In What's Important Is Feeling, Adam Wilson follows the through-line of contemporary coming-of-age from the ravings of teenage lust to the staggering loneliness of proto-adulthood. He navigates the tough terrain of American life with a delicate balance of comedy and compassion, lyricism and unsparing straightforwardness. Wilson's characters wander through a purgatory of yearning, hope, and grief. No one emerges unscathed.

Adam Wilson is the author of the novel Flatscreen (Harper Perennial, 2012). His fiction has appeared in many publications including The Paris Review, The Best American Short Stories, Tin House, The Literary Review, The New York Tyrant, Gigantic, and many others.

He is currently a regular contributor to both BookForum and The Paris Review Daily. His essays have appeared in The New York Times, The New York Observer, Time Out New York, and elsewhere.

Adam holds a BA from Tufts University and an MFA from Columbia University. A former employee of Brooklyn's famous BookCourt bookstore, he now teaches creative writing at NYU and The Sackett Street Writer's Workshop. He lives in Brooklyn with his cat.