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After Debussy: Music, Language, and the Margins of Philosophy
Contributor(s): Johnson, Julian (Author)
ISBN: 0190066822     ISBN-13: 9780190066826
Publisher: Oxford University Press, USA
OUR PRICE:   $55.10  
Product Type: Hardcover - Other Formats
Published: February 2020
Qty:
Temporarily out of stock - Will ship within 2 to 5 weeks
Additional Information
BISAC Categories:
- Music | Individual Composer & Musician
- Music | History & Criticism - General
- Music | Philosophy & Social Aspects
Dewey: 780.92
LCCN: 2019020716
Physical Information: 1.1" H x 6.3" W x 9.5" (2.00 lbs) 396 pages
 
Descriptions, Reviews, Etc.
Publisher Description:
Classical music shows a close relationship to language, and both musicology and philosophy have tended to approach music from that angle, exploring it in terms of expression, representation, and discourse. This book turns that idea on its head. Focusing on the music of Debussy and its legacy
in the century since his death, After Debussy offers a groundbreaking new perspective on twentieth-century music that foregrounds a sensory logic of sound over quasi-linguistic ideas of structure or meaning. Author Julian Johnson argues that Debussy's music exemplifies this idea, influencing the
music of successive composers who took up the mantle of emphasizing sound over syntax, sense over signification. In doing so, this music not only anticipates a central problem of contemporary thought--the gap between language and our embodied relation to the world--but also offers a solution.

With a readable narrative structure grounded in an impressive body of literature, After Debussy ranges widely across French music, demonstrating the impact of Debussy's music on composers from Fauré and Ravel to Dutilleux, Boulez, Grisey, Murail and Saariaho. It ranges similarly through a set of
French writers and philosophers, from Mallarmé and Proust to Merleau-Ponty, Jankélévitch, Derrida, Lyotard and Nancy, and even draws from the visual arts to help embody key ideas. In accessibly tackling substantial ideas of both musicology and philosophy, this book not only presents bold new ways of
understanding each discipline but also lays the groundwork for exciting new discourse between them.