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Lighting Out for the Territory: Reflections on Mark Twain and American Culture Revised Edition
Contributor(s): Fishkin, Shelley Fisher (Author)
ISBN: 0195121228     ISBN-13: 9780195121223
Publisher: Oxford University Press, USA
OUR PRICE:   $36.09  
Product Type: Paperback - Other Formats
Published: June 1998
Qty:
Annotation: This book explores how this son of slaveholders came to write one of the greatest anti-racist novels of all time--and why this remarkable odyssey is so often erased or ignored today. 26 halftones.
Additional Information
BISAC Categories:
- Literary Criticism | American - General
Dewey: 818.4
LCCN: 96034612
Lexile Measure: 1300
Physical Information: 0.69" H x 5.32" W x 7.86" (0.68 lbs) 276 pages
Themes:
- Chronological Period - 1900-1919
- Chronological Period - 19th Century
 
Descriptions, Reviews, Etc.
Publisher Description:
Mark Twain has been called the American Cervantes, our Homer, our Tolstoy, our Shakespeare. Ernest Hemingway maintained that all modern American literature comes from one book by Mark Twain called Huckleberry Finn. President Franklin Delano Roosevelt took the phrase New Deal from A
Connecticut Yankee in King Arthur's Court. Twain's Gilded Age gave an entire era its name. Twain is everywhere--in ads for Bass Ale, in episodes of Star Trek, as a greeter in Nevada's Silver Legacy casino. Clearly, the reports of his death have been greatly exaggerated. In Lighting Out for the
Territory, Twain scholar Shelley Fisher Fishkin blends personal narrative with reflections on history, literature, and popular culture to provide a lively and provocative look at who Mark Twain really was, how he got to be that way, and what we do with his legacy today.
Fishkin illuminates the many ways that America has embraced Mark Twain--from the scenes and plots of his novels, to his famous quips, to his bushy-haired, white-suited persona. She reveals that we have constructed a Twain often far removed from the actual writer. For instance, we travel to
Hannibal, Missouri, Mark Twain's home town, a locale that in his work is both the embodiment of the innocence of childhood and also an emblem of hypocrisy, barbarity, and moral rot. The author spotlights the fact that Hannibal today attracts hundreds of thousands of tourists and takes in millions
yearly, by focusing on Tom Sawyer's boyhood exploits--marble-shoots and white-washed fences--and ignoring Twain's portraits of the darker side of the slave South. The narrative moves back and forth from modern Hannibal to antebellum Hannibal and to Mark Twain's childhood experiences with brutality
and slavery. Her exploration of those subjects in his work shows that Tom Sawyer's fence isn't the only thing being white-washed in Hannibal. Fishkin's research yields fresh insights into the remarkable story of how this child of slaveholders became the author of the most powerful anti-racist novel
by an American.
Whether lending his name to a pizza parlor in Louisiana, a diner in Jackson Heights, New York, or an asteroid in outer space, whether making cameo appearances on Cheers and Bonanza, or turning up in novels as a detective or a love interest, Mark Twain's presence in contemporary culture is
pervasive and intriguing. Fishkin's wide-ranging examination of that presence demonstrates how Twain and his work echo, ripple, and reverberate throughout our society. We learn that Walt Disney was a great fan of Twain's fiction (in fact, Tom Sawyer's Island in Disneyland is the only part of the
park that Disney himself designed) as is Chuck Jones, who credits the genesis of cartoon character Wile E. Coyote to the comic description of a coyote in Roughing It. We learn of Mark Twain impersonators (Hal Holbrook, for instance, has played Twain in some 1,500 performances) and recent movie
versions of Twain books, such as A Million to Juan. And we discover how Twain's image can be seen in claymation, in animatronics and robotics, in virtual reality, and on any number of home-pages on the Internet.
Lighting Out for the Territory offers an engrossing look at how Mark Twain's life and work have been cherished, memorialized, exploited, and misunderstood. It offers a wealth of insight into Twain, into his work, and into our nation, both past and present.