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The Oxford Book of Women's Writing in the United States
Contributor(s): Wagner-Martin, Linda (Editor), Davidson, Cathy N. (Editor)
ISBN: 0195132459     ISBN-13: 9780195132458
Publisher: Oxford University Press, USA
OUR PRICE:   $46.54  
Product Type: Paperback
Published: October 1999
Qty:
Annotation: "A sumptuous selection of short fiction and poetry. . . . Its invitation to share the passion of women's voices characterizes the entire volume."--"USA Today."
Additional Information
BISAC Categories:
- Literary Criticism | Women Authors
- Fiction | Anthologies (multiple Authors)
Dewey: 810.809
LCCN: 95001499
Physical Information: 1.45" H x 5.52" W x 8.54" (1.68 lbs) 608 pages
Themes:
- Sex & Gender - Feminine
 
Descriptions, Reviews, Etc.
Publisher Description:
Provocative and compulsively readable, lively, engaging, and brilliantly representative, The Oxford Book of Women's Writing in the United States presents short stories, poems, essays, plays, speeches, performance pieces, erotica, diaries, correspondence, and even a few recipes from nearly one
hundred of our best women writers.
Reveling in the awareness that the best U.S. women's writing is, quite simply, some of the best in the world, editors Linda Wagner-Martin and Cathy N. Davidson have chosen selections spanning four centuries and reflecting the rich variety of American women's lives. The collection embraces the
perspectives of age and youth, the traditional and the revolutionary, the public and the private. Here is Judith Sargent Murray's 1790 essay On the Equality of the Sexes, journalist Martha Gellhorn's Last Words on Vietnam, 1987, and Mary Gordon's homage to the ghosts of Ellis Island, More Than
Just a Shrine; powerful short stories by Zora Neale Hurston, Edith Wharton, Cynthia Ozick, and Toni Morrison; letters from Abigail Adams, Sarah Moore Grimke[accent], Emma Goldman, and Georgia O'Keeffe; Alice B. Toklas's recipe Bass for Picasso, and erotic offerings from Anais Nin and Rita Mae
Brown. The moving autobiography of Zitkala- Sa[accent], whose mother was a Sioux, tells us more about otherness than any sociological treatise, while Janice Mirikitani's and Nellie Wong's poems about being young Asian-American women, like Alice Walker's meditation on the beauty of growing old,
speak to all readers.
A thought-provoking introduction and descriptive headnotes explore the history of women's writing in ways that help the reader to understand the American women who have used language to change their worlds and to remember the past, and as a means of etching their deepest, fondest dreams. A joy to
read, The Oxford Book of Women's Writing in the United States is filled with eye-opening and unexpected selections. It is the perfect book for anyone fascinated by women's writing and women's lives.