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Joseph Conrad: Slow Modernism
Contributor(s): Levin, Yael (Author)
ISBN: 019886437X     ISBN-13: 9780198864370
Publisher: Oxford University Press, USA
OUR PRICE:   $82.65  
Product Type: Hardcover - Other Formats
Published: October 2020
Qty:
Additional Information
BISAC Categories:
- Literary Criticism | Modern - 19th Century
- Literary Criticism | European - General
Dewey: 823.912
LCCN: 2020933197
Physical Information: 0.8" H x 5.5" W x 8.6" (0.80 lbs) 194 pages
 
Descriptions, Reviews, Etc.
Publisher Description:
The book builds on current interventions in modernist scholarship in order to rethink Joseph Conrad's contribution to literary history. It utilizes emerging critical modernisms, the work of Henri Bergson and Gilles Deleuze, and late modernist fiction, to stage an encounter between Conrad and a
radically different literary tradition. It does so in order to uncover critical blind spots that have limited our appreciation of his poetics. The purpose of this investigation is threefold: first, to participate in recent critical attempts to correct a neglect of ontological preoccupations in
Conrad's writing and uncover the author's exploration of a human subject beyond the Cartesian cogito. Second, to demonstrate the manner in which such an exploration is accompanied by the reconfiguration of the very building blocks of fiction: character, narration, focalization, language and plot
have to be rethought to accommodate a subject who is no longer conceived of as autonomous and whole but is rendered permeable and interdependent. Third, to show how this redrawing of the literary imaginary communicates with the projects of late modernist writers such as Samuel Beckett, writers whose
literary endeavours have long been held separate from Conrad's. In the spirit of current re-examinations of modernism and critical endeavours to think it anew outside the commonplaces that once defined it, this study returns to Conrad's art with an eye to twentieth-century shifts in the way we
process, understand and evaluate information. Thematic, stylistic and philosophical instantiations of the slow are offered here as a gauge for this meaningful transformation.