Benton, Pollock, and the Politics of Modernism: From Regionalism to Abstract Expressionism Contributor(s): Doss, Erika (Author) |
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ISBN: 0226159426 ISBN-13: 9780226159423 Publisher: University of Chicago Press OUR PRICE: $99.99 Product Type: Hardcover Published: October 1991 Annotation: In this provocative and accessible revisionist study, Erika Doss examines how and why the cultural domination enjoyed by regionalism in the 1930s shifted to abstract expressionism in the 1940s. |
Additional Information |
BISAC Categories: - Art | History - General |
Dewey: 759.13 |
LCCN: 91018541 |
Physical Information: 1.28" H x 6.34" W x 9.3" (2.00 lbs) 462 pages |
Descriptions, Reviews, Etc. |
Publisher Description: In this acclaimed revisionist study, Erika Doss chronicles an historic cultural change in American art from the dominance of regionalism in the 1930s to abstract expressionism in the 1940s. She centers her study on Thomas Hart Benton and Jackson Pollock, Benton's foremost student in the early thirties, charting Pollock's early imitation of Benton's style before his radical move to abstraction. By situating painting within the evolving sociopolitical and cultural context of the Depression and the Cold War, Doss explains the reasons for this change and casts light on its significance for contemporary culture. A welcome addition to the growing body of literature that deals with the art and culture of the depression and cold war eras. It is a pioneering work that makes a valuable contribution to our understanding of a puzzling conundrum of American art--the shift from regionalism to abstract expressionism.--M. Sue Kendall, Winterthur Portfolio An important scholarly contribution. . . . This book will stand as a step along the way to a better understanding of the most amazing transition in the art of our tumultuous century.--James G. Rogers, Jr., Art Journal A valuable and interesting book that restores continuity and political context to the decades of depression and war.--Marlene Park, American Historical Review |