| Blood Talk: American Race Melodrama and the Culture of the Occult Contributor(s): Gillman, Susan (Author) |
|
 |
ISBN: 0226293904 ISBN-13: 9780226293905 Publisher: University of Chicago Press OUR PRICE: $36.63 Product Type: Paperback Published: September 2003 Annotation: The United States has seldom known a period of greater social and cultural volatility, especially in terms of race relations, than the years from the end of Reconstruction to the First World War. In this highly original study, Susan Gillman explores the rise during this period of a remarkable genre--the race melodrama--and the way in which it converged with literary trends, popular history, fringe movements, and mainstream interest in supernatural phenomena. "Blood Talk" shows how race melodrama emerged from abolitionist works such as Uncle Tom's Cabin and surprisingly manifested itself in a set of more aesthetically and politically varied works, such as historical romances, sentimental novels, the travel literature of Mark Twain, the regional fiction of Kate Chopin and George Washington Cable, and the work of W. E. B. Du Bois. Gillman then uses the race melodrama to show how racial discourses in the United States have been entangled with occultist phenomena, from the rituals of the Ku Klux Klan and the concept of messianic second-sight to the production of conspiracy theories and studies of dreams and trances. |
| Additional Information |
| BISAC Categories: - Literary Criticism | American - General |
| Dewey: 810.935 |
| LCCN: 2003005007 |
| Physical Information: 0.6" H x 5.96" W x 9.08" (0.82 lbs) 256 pages |
| Descriptions, Reviews, Etc. |
| Publisher Description: The United States has seldom known a period of greater social and cultural volatility, especially in terms of race relations, than the years from the end of Reconstruction to the First World War. In this highly original study, Susan Gillman explores the rise during this period of a remarkable genre--the race melodrama--and the way in which it converged with literary trends, popular history, fringe movements, and mainstream interest in supernatural phenomena. Blood Talk shows how race melodrama emerged from abolitionist works such as Uncle Tom's Cabin and surprisingly manifested itself in a set of more aesthetically and politically varied works, such as historical romances, sentimental novels, the travel literature of Mark Twain, the regional fiction of Kate Chopin and George Washington Cable, and the work of W. E. B. Du Bois. Gillman then uses the race melodrama to show how racial discourses in the United States have been entangled with occultist phenomena, from the rituals of the Ku Klux Klan and the concept of messianic second-sight to the production of conspiracy theories and studies of dreams and trances. |