Limit this search to....

Royal Representations: Queen Victoria and British Culture, 1837-1876
Contributor(s): Homans, Margaret (Author)
ISBN: 0226351149     ISBN-13: 9780226351148
Publisher: University of Chicago Press
OUR PRICE:   $34.65  
Product Type: Paperback - Other Formats
Published: January 1999
Qty:
Temporarily out of stock - Will ship within 2 to 5 weeks
Annotation: Queen Victoria was one of the most complex cultural productions of her age. In "Royal Representations", Margaret Homans investigates the meanings Victoria held for her times, Victoria's own contributions to Victorian writing and art, and the cultural mechanisms through which her influence was felt.
Arguing that being, seeming, and appearing were crucial to Victoria's "rule," Homans explores the variability of Victoria's agency and of its representations using a wide array of literary, historical, and visual sources. Along the way she shows how Victoria provided a deeply equivocal model for women's powers in and out of marriage, how Victoria's dramatic public withdrawal after Albert's death helped to ease the monarchy's transition to an entirely symbolic role, and how Victoria's literary self-representations influenced debates over political self-representation.
Homans considers versions of Victoria in the work of Elizabeth Barrett Browning, George Eliot, John Ruskin, Margaret Oliphant, Lewis Carroll, Alfred Lord Tennyson, and Julia Margaret Cameron.


Additional Information
BISAC Categories:
- History | Europe - Great Britain - General
Dewey: 941.081
LCCN: 98019836
Series: Women in Culture and Society
Physical Information: 0.79" H x 6.03" W x 8.99" (0.95 lbs) 322 pages
Themes:
- Chronological Period - 19th Century
- Cultural Region - British Isles
 
Descriptions, Reviews, Etc.
Publisher Description:
Queen Victoria was one of the most complex cultural productions of her age. In Royal Representations, Margaret Homans investigates the meanings Victoria held for her times, Victoria's own contributions to Victorian writing and art, and the cultural mechanisms through which her influence was felt.

Arguing that being, seeming, and appearing were crucial to Victoria's rule, Homans explores the variability of Victoria's agency and of its representations using a wide array of literary, historical, and visual sources. Along the way she shows how Victoria provided a deeply equivocal model for women's powers in and out of marriage, how Victoria's dramatic public withdrawal after Albert's death helped to ease the monarchy's transition to an entirely symbolic role, and how Victoria's literary self-representations influenced debates over political self-representation.

Homans considers versions of Victoria in the work of Elizabeth Barrett Browning, George Eliot, John Ruskin, Margaret Oliphant, Lewis Carroll, Alfred Lord Tennyson, and Julia Margaret Cameron.