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Archaeologies of Vision: Foucault and Nietzsche on Seeing and Saying
Contributor(s): Shapiro, Gary (Author)
ISBN: 0226750469     ISBN-13: 9780226750460
Publisher: University of Chicago Press
OUR PRICE:   $104.94  
Product Type: Hardcover
Published: May 2003
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Annotation: While many acknowledge that Friedrich Nietzsche and Michel Foucault have redefined our notions of time and history, few recognize the crucial role that "the infinite relation" between seeing and saying (as Foucault put it) plays in their work. Gary Shapiro reveals, for the first time, the full extent of Nietzsche and Foucault's concern with the visual.
Shapiro explores the whole range of Foucault's writings on visual art, including the theory of visual resistance, the concept of the phantasm or simulacrum, and his interrogation of the relation of painting, language, and power in artists from Bosch to Warhol.
He also shows through an excavation of little-known writings that the visual is a major theme in Nietzsche's thought. In addition to explaining the significance of Nietzsche's analysis of Raphael, Durer, and Claude Lorrain, he examines the philosopher's understanding of the visual dimension of Greek theater and Wagnerian opera and offers a powerful new reading of "Thus Spoke Zarathustra,"
"Archaeologies of Vision" will be a landmark work for all scholars of visual culture as well as for those engaged with continental philosophy.
Additional Information
BISAC Categories:
- Philosophy | Epistemology
Dewey: 121.35
LCCN: 2002014836
Physical Information: 1.21" H x 6.34" W x 9.46" (1.59 lbs) 458 pages
 
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Publisher Description:
While many acknowledge that Friedrich Nietzsche and Michel Foucault have redefined our notions of time and history, few recognize the crucial role that the infinite relation between seeing and saying (as Foucault put it) plays in their work. Gary Shapiro reveals, for the first time, the full extent of Nietzsche and Foucault's concern with the visual.

Shapiro explores the whole range of Foucault's writings on visual art, including the theory of visual resistance, the concept of the phantasm or simulacrum, and his interrogation of the relation of painting, language, and power in artists from Bosch to Warhol. Shapiro also shows through an excavation of little-known writings that the visual is a major theme in Nietzsche's thought. In addition to explaining the significance of Nietzsche's analysis of Raphael, D rer, and Claude Lorrain, he examines the philosopher's understanding of the visual dimension of Greek theater and Wagnerian opera and offers a powerful new reading of Thus Spoke Zarathustra.

Archaeologies of Vision will be a landmark work for all scholars of visual culture as well as for those engaged with continental philosophy.


Contributor Bio(s): Shapiro, Gary: - Gary Shapiro is the Tucker-Boatwright Professor Emeritus of Humanities and Philosophy at the University of Richmond. He is the author of many books, including Earthwards: Robert Smithson and Art after Babel and Archaeologies of Vision: Foucault and Nietzsche on Seeing and Saying.