| Jonathan Swift and Popular Culture Myth, Media and the Man: Myth, Media, and the Man 2002 Edition Contributor(s): Kelly, A. (Author) |
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ISBN: 0230602347 ISBN-13: 9780230602342 Publisher: Palgrave MacMillan OUR PRICE: $52.24 Product Type: Paperback - Other Formats Published: July 2008 Annotation: Ann Kelly's provocative book breaks the mold of Swift studies. 20th-century scholars have tended to assess Jonathan Swift as a pillar of the 18th-century "republic of letters," a conservative, even reactionary voice upholding classical values against the welling tide of popularization in literature. Kelly's Swift is instead a practical exponent of the popular and impresario of the literary image. She argues that Swift turned his back on the elite to write for a popular audience, and that he annexed scandals to his fictionalized print alter ego, creating a continual demand for works by or about this self-mythologized figure. A fascinating look at popular print media, the commodification of the author, culture formation, and modern myth making, this book opens new ground in our understanding of one of the greatest English writers. |
| Additional Information |
| BISAC Categories: - Biography & Autobiography | Literary Figures - Literary Criticism | English, Irish, Scottish, Welsh - Social Science | Popular Culture |
| Dewey: 828.509 |
| Physical Information: 0.59" H x 5.5" W x 8.5" (0.73 lbs) 244 pages |
| Themes: - Cultural Region - British Isles - Chronological Period - 18th Century |
| Descriptions, Reviews, Etc. |
| Publisher Description: Ann Kelly's provocative book breaks the mold of Swift studies. Twentieth century Swift scholars have tended to assess Jonathan Swift as a pillar of the eighteenth-century 'republic of letter', a conservative, even reactionary voice upholding classical values against the welling tide of popularization in literature. Kelly looks at Swift instead as a practical exponent of the popular and impressario of the literary image. She argues that Swift turned his back on the elite to write for a popular audience, and that he annexed scandals to his fictionalized print alter ego, creating a continual demand for works by or about this self-mythologized figure. A fascinating look at print culture, the commodification of the author, and the history of popular culture, this book should provoke lots of discussion. |