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Chushingura (the Treasury of Loyal Retainers): A Puppet Play
Contributor(s): Keene, Donald (Translator)
ISBN: 0231035314     ISBN-13: 9780231035316
Publisher: Columbia University Press
OUR PRICE:   $29.70  
Product Type: Paperback
Published: April 1971
Qty:
Annotation: Chushingura (The Treasury of Loyal Retainers), also known as the story of the Forty-Six (or Forty-Seven) Ronin, is the most famous and perenially popular of all Japanese dramas. Written around 1748 as a puppet play, it is now better know in Kabuki performances. In the twentieth century, cinema and television versions have been equally successful. Donald Keene here presents a complete translation of the original text, with notes and an introduction that increase the reader's comprehension and enjoyment of the play. The introduction also elucidates the idea of loyalty. This traditional virtue, as exemplified in Chushingura, has never completely lost its hold on audiences, in spite of twentieth-century changes in Japanese society and moral ideas. Moreover, as Professor Keene points out, the excitement, color and violence expressed in the play may be considered the counterpoint to the austere restraint and understatement which are more commonly thought to be "traditionally" Japanese.
Additional Information
BISAC Categories:
- Drama | Asian - Japanese
- Performing Arts | Puppets & Puppetry
Dewey: 895.6
LCCN: 78142283
Series: Translations from the Asian Classics
Physical Information: 0.53" H x 5.32" W x 7.98" (0.50 lbs) 212 pages
 
Descriptions, Reviews, Etc.
Publisher Description:

Chushingura (The Treasury of Loyal Retainers), also known as the story of the Forty-Six (or Forty-Seven) Ronin, is the most famous and perenially popular of all Japanese dramas. Written around 1748 as a puppet play, it is now better know in Kabuki performances. In the twentieth century, cinema and television versions have been equally successful. Donald Keene here presents a complete translation of the original text, with notes and an introduction that increase the reader's comprehension and enjoyment of the play. The introduction also elucidates the idea of loyalty. This traditional virtue, as exemplified in Chushingura, has never completely lost its hold on audiences, in spite of twentieth-century changes in Japanese society and moral ideas. Moreover, as Professor Keene points out, the excitement, color and violence expressed in the play may be considered the counterpoint to the austere restraint and understatement which are more commonly thought to be "traditionally" Japanese.