| Colette Contributor(s): Kristeva, Julia (Author), Todd, Jane Marie (Translator) |
|
 |
ISBN: 0231128975 ISBN-13: 9780231128971 Publisher: Columbia University Press OUR PRICE: $36.63 Product Type: Paperback - Other Formats Published: December 2005 Annotation: Published on the fiftieth anniversary of her death, this intellectual biography of Colette -- the final volume of Julia Kristeva's trilogy "Female Genius" -- will be considered a major breakthrough in understanding one of the great creative minds of the twentieth century. Colette (1873-1954) was a prolific novelist who celebrated sexual pleasure and invented a language for it at a time when women writers were inhibited about dealing with the topic. Female sexuality in a male-dominated world and the joys and pains of love served as her main themes, and her novels -- "Cheri, La Chatte," and "Gigi," among them -- blurred the boundaries between fact and fiction long before autobiographical novels became commonplace. She married three times, had male and female lovers, and for a time supported herself as a mime, dancing semi-nude in music halls throughout France. When she died, she received the first state funeral the French Republic had ever given a woman. Colette's writing was inspired by entertainers, courtesans, an aristocratic Parisian lesbian subculture, and "fin de sihcle" gay aesthetes. She admired those who lived on the sexual edge and was accused of moral corruption in intellectual matters -- she published in pro-Vichy, anti-Semitic journals during the Occupation, even as she fought to keep her Jewish third husband from deportation. Kristeva deftly examines Colette's controversial life and work and considers two of her most important influences, Honori de Balzac and Marcel Proust. In a multifaceted approach, Kristeva considers Colette's use of metaphor, the characters in her novels, and the development of her writing within the context of her life. Paying particularattention to the language the French writer used to "say the unsayable and name the unnameable," Kristeva offers an elegant and sophisticated critique of Colette's psychological conflicts, particularly her sexual relationships and how these conflicts are both recorded in and resolved through the act of writing. Appealing to Freudian and Lacanian concepts such as the Oedipus complex, perversion, the symbolic, and melancholy, Kristeva opens Colette's oeuvre to psychoanalytic interpretation. The impression that remains is of a woman intent on experiencing the world's pleasures -- its "jouissance" -- in a melding with the world's flesh. |
| Additional Information |
| BISAC Categories: - Biography & Autobiography | Literary Figures - Literary Criticism | European - French |
| Dewey: B |
| Series: European Perspectives |
| Physical Information: 1.16" H x 5.79" W x 8.77" (1.53 lbs) 448 pages |
| Themes: - Cultural Region - French |
| Descriptions, Reviews, Etc. |
| Publisher Description: Published on the fiftieth anniversary of her death, this intellectual biography of Colette--the final volume of Julia Kristeva's trilogy "Female Genius"--will be considered a major breakthrough in understanding one of the great creative minds of the twentieth century. Colette (1873-1954) was a prolific novelist who celebrated sexual pleasure and invented a language for it at a time when women writers were inhibited about dealing with the topic. Female sexuality in a male-dominated world and the joys and pains of love served as her main themes, and her novels--Cheri, La Chatte, and Gigi, among them--blurred the boundaries between fact and fiction long before autobiographical novels became commonplace. She married three times, had male and female lovers, and for a time supported herself as a mime, dancing semi-nude in music halls throughout France. When she died, she received the first state funeral the French Republic had ever given a woman. Colette's writing was inspired by entertainers, courtesans, an aristocratic Parisian lesbian subculture, and fin de siècle gay aesthetes. She admired those who lived on the sexual edge and was accused of moral corruption in intellectual matters--she published in pro-Vichy, anti-Semitic journals during the Occupation, even as she fought to keep her Jewish third husband from deportation. Kristeva deftly examines Colette's controversial life and work and considers two of her most important influences, Honoré de Balzac and Marcel Proust. In a multifaceted approach, Kristeva considers Colette's use of metaphor, the characters in her novels, and the development of her writing within the context of her life. Paying particular attention to the language the French writer used to "say the unsayable and name the unnameable," Kristeva offers an elegant and sophisticated critique of Colette's psychological conflicts, particularly her sexual relationships and how these conflicts are both recorded in and resolved through the act of writing. Appealing to Freudian and Lacanian concepts such as the Oedipus complex, perversion, the symbolic, and melancholy, Kristeva opens Colette's oeuvre to psychoanalytic interpretation. The impression that remains is of a woman intent on experiencing the world's pleasures--its jouissance--in a melding with the world's flesh. |
Contributor Bio(s): Kristeva, Julia: - Julia Kristeva is professor of linguistics at the Université de Paris VII and author of many acclaimed works and novels, including The Severed Head: Capital Visions, This Incredible Need to Believe, Hatred and Forgiveness, and Teresa, My Love: An Imagined Life of the Saint of Avila, all published by Columbia. She is the recipient of the Hannah Arendt Prize for Political Thought and the Holberg International Memorial Prize. |