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Horse Opera: The Strange History of the 1930s Singing Cowboy
Contributor(s): Stanfield, Peter (Author)
ISBN: 0252070496     ISBN-13: 9780252070495
Publisher: University of Illinois Press
OUR PRICE:   $21.78  
Product Type: Paperback - Other Formats
Published: April 2002
Qty:
Temporarily out of stock - Will ship within 2 to 5 weeks
Additional Information
BISAC Categories:
- Performing Arts | Film - History & Criticism
Dewey: 791.436
LCCN: 2001005008
Physical Information: 0.49" H x 6.1" W x 9.76" (0.69 lbs) 192 pages
 
Descriptions, Reviews, Etc.
Publisher Description:
In this innovative take on a neglected chapter of film history, Peter Stanfield challenges the commonly held view of the singing cowboy as an ephemeral figure of fun and argues instead that he was one of the most important cultural figures to emerge out of the Great Depression.
The rural or newly urban working-class families who flocked to see the latest exploits of Gene Autry, Roy Rogers, Tex Ritter, and
other singing cowboys were an audience largely ignored by mainstream
Hollywood film. Hard hit by the depression, faced with the threat--and often the reality--of dispossession and dislocation, pressured to adapt to new ways of living, these small-town filmgoers saw their ambitions, fantasies, and desires embodied in the singing cowboy and their social and political circumstances dramatized in "B" Westerns.
Stanfield traces the singing cowboy's previously uncharted roots in the performance tradition of blackface minstrelsy and its literary antecedents in dime novels, magazine fiction, and the novels of B. M. Bower, showing how silent cinema conventions, the developing commercial music media, and the prevailing conditions of film production shaped the "horse opera" of the 1930s. Cowboy songs offered an alternative to the disruptive modern effects of jazz music, while the series Western--tapping into aesthetic principles shunned by the aspiring middle class--emphasized stunts, fist fights, slapstick comedy, disguises, and hidden identities over narrative logic and character psychology. Singing cowboys also linked recording, radio, publishing, live performance, and film media.
Entertaining and thought-provoking, Horse Opera recovers not only the forgotten cowboys of the 1930s but also their forgotten audiences: the ordinary men and women