| Jim Jarmusch Contributor(s): Suárez, Juan A. (Author) |
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ISBN: 0252074432 ISBN-13: 9780252074431 Publisher: University of Illinois Press OUR PRICE: $20.90 Product Type: Paperback - Other Formats Published: August 2007 Annotation: The first major English-language study of Jarmusch At a time when gimmicky, action-driven blockbusters ruled Hollywood, Jim Jarmusch spearheaded a boom in independent cinema by making low-budget films focused on intimacy, character, and new takes on classical narratives. His minimal form, peculiar pacing, wry humor, and blank affect have since been adopted by directors including Sophia Coppola, Hal Harley, Richard Linklater, and Wong Kar-Wai. Juan A. Suarez's "Jim Jarmusch" analyzes the director's work from three mutually implicated perspectives: in relation to independent filmmaking from the 1980s to the present; as a form of cultural production that appropriates existing icons, genres, and motifs; and as an instance of postmodern politics. A volume in the series Contemporary Film Directors, edited by James R. Naremore |
| Additional Information |
| BISAC Categories: - Performing Arts | Film - History & Criticism - Performing Arts | Individual Director |
| Dewey: 791.430 |
| LCCN: 2006029224 |
| Series: Contemporary Film Directors (Paperback) |
| Physical Information: 0.52" H x 5.97" W x 7.91" (0.62 lbs) 216 pages |
| Descriptions, Reviews, Etc. |
| Publisher Description: The first major English-language study of Jarmusch At a time when gimmicky, action-driven blockbusters ruled Hollywood, Jim Jarmusch spearheaded a boom in independent cinema by making now-classic low-budget films like Stranger than Paradise, Down by Law, and Mystery Train. Jarmusch's films focused on intimacy, character, and new takes on classical narratives. His minimal form, peculiar pacing, wry humor, and blank affect have since been adopted by directors like Sofia Coppola, Hal Hartley, Richard Linklater, and Tsai Ming-liang. Juan A. Suárez identifies and describes an abundance of aesthetic influences on Jarmusch, delving into the director's links to punk, Structural film, classic street photography, hip-hop, beat literature and art, and the New York pop vanguard of the late 1970s. At the same time, he analyzes Jarmusch's work from three mutually implicated perspectives: in relation to independent filmmaking from the 1980s to the present; as a form of cultural production that appropriates existing icons, genres, and motifs; and as an instance of postmodern politics. A volume in the series Contemporary Film Directors, edited by James R. Naremore |