| Jane Campion Contributor(s): McHugh, Kathleen (Author) |
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ISBN: 0252074475 ISBN-13: 9780252074479 Publisher: University of Illinois Press OUR PRICE: $20.90 Product Type: Paperback - Other Formats Published: May 2007 Annotation: The subversive style of the woman who has become one of the world's greatest film directors From Jane Campion's early award-winning short films on through international sensation "The Piano" and beyond, Kathleen McHugh traces the director's distinctive visual style as well as her commitment to consistently renovating the conventions of " women's films." By refusing to position her female protagonists as victims, McHugh argues, Campion scrupulously avoids the moral structures of melodrama, and though she often works with the narratives, mise-en-scè ne, and visual tropes typical of that genre, her films instead invite a distanced or even amused engagement. "A volume in the series Contemporary Film Directors, edited by James R. Naremore" |
| Additional Information |
| BISAC Categories: - Biography & Autobiography | Entertainment & Performing Arts - Biography & Autobiography | Women |
| Dewey: B |
| LCCN: 2006036198 |
| Series: Contemporary Film Directors (Paperback) |
| Physical Information: 0.5" H x 5.61" W x 8.24" (0.60 lbs) 208 pages |
| Themes: - Sex & Gender - Feminine |
| Descriptions, Reviews, Etc. |
| Publisher Description: In considering Jane Campion's early award-winning short films on through international sensation The Piano and beyond, Kathleen McHugh traces the director's distinctive visual style as well as her commitment to consistently renovating the conventions of "women's films." By refusing to position her female protagonists as victims, McHugh argues, Campion scrupulously avoids the moral structures of melodrama, and though she often works with the narratives, mise-en-scene, and visual tropes typical of that genre, her films instead invite a distanced or even amused engagement. Jane Campion concludes with four brief, revelatory interviews and a filmography. Campion spoke twice with Michel Ciment--after the screening of her short and medium-length films at the Cannes Film Festival 1986, and three years later, after the Cannes screening of Sweetie. Judith Lewis narrates a Beverly Hills interview with Campion that followed the release of Holy Smoke, and Lizzie Francke's interview, reprinted from Sight and Sound, centers on Campion's film In the Cut, adapted from Susanna Moore's novel. A volume in the series Contemporary Film Directors, edited by James R. Naremore |