The Long Front of Culture: The Independent Group and Exhibition Design Contributor(s): Lotery, Kevin (Author) |
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ISBN: 0262043890 ISBN-13: 9780262043892 Publisher: MIT Press OUR PRICE: $40.50 Product Type: Hardcover Published: April 2020 |
Additional Information |
BISAC Categories: - Art | Museum Studies - Art | Study & Teaching - Art | History - General |
Dewey: 707.5 |
LCCN: 2019029895 |
Series: October Books |
Physical Information: 1.1" H x 7" W x 9.1" (2.25 lbs) 384 pages |
Descriptions, Reviews, Etc. |
Publisher Description: How a group of artists and theorists turned to exhibition design as the only medium capable of synthesizing high and low in postwar culture. In 1950s London, a cadre of young artists, theorists, and popular culture aficionados known as the Independent Group (IG) came together for a series of pressing meetings. Their humble goal: to reimagine the structure of postwar culture by situating art in the midst of military-industrial technologies and pop pleasures. In this book, Kevin Lotery argues that the IG turned to the cross-disciplinary form of exhibition design as the only medium capable of getting the measure of these forces, the only technique that could integrate high and low, aesthetic and scientific, and redesign them in turn. Lotery shows that the IG's exhibitions sought out temporary interfaces with technological invention and scientific research in a search for the form of the new itself. The IG exhibitions he examines drew on biological morphogenesis, anthropology and photography, human-machine prosthetics, American pop, abstraction, and theories of play. The IG is often described as the precursor to the pop art of the 1960s. Lotery shows that it was much more, as entangled with the histories of science, technology, and design as with the dialectics of modern art and mass culture |