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The Magazine
Contributor(s): Allen, Gwen (Editor)
ISBN: 0262528665     ISBN-13: 9780262528665
Publisher: MIT Press
OUR PRICE:   $22.46  
Product Type: Paperback
Published: February 2016
Qty:
Temporarily out of stock - Will ship within 2 to 5 weeks
Additional Information
BISAC Categories:
- Art | Criticism & Theory
- Art | History - Contemporary (1945- )
- Language Arts & Disciplines | Publishers & Publishing Industry
Dewey: 070.5
LCCN: 2015036950
Series: Whitechapel: Documents of Contemporary Art
Physical Information: 0.9" H x 5.9" W x 8.2" (1.20 lbs) 240 pages
 
Descriptions, Reviews, Etc.
Publisher Description:
The artist's magazine as a place where new ideas and forms can be imagined and created, from the eighteenth century to the twenty-first.

The multiple platforms of the digital era have not diminished the role of the magazine for artists as an alternative medium and experimental space. Whether printed on paper or electronically generated, the artist's magazine continues to be a place where new ideas and forms can be imagined as well as a significant site of artistic production. Intrinsically collaborative, including readers' active engagement, the magazine is an inherently open form that generates constantly evolving relationships. It was integral to the emergence of art criticism in the Enlightenment period and to the development of artistic dialogues around notions of culture, politics, and the public from the modern era avant-gardes to the present.

This collection contextualizes the current condition and potential of the artist's magazine, surveying the art worlds it has created and then superseded; the commercial media forms it has critically appropriated, intervened in, or subverted; the alternative DIY cultures it has brought into being; and the expanded fields of cultural production, exchange, and distribution it continues to engender. In addition to surveying case studies of transformational magazines from the early 1960s onwards, The Magazine includes a wide-ranging archive of key editorial statements, from eighteenth-century Weimar to twenty-first century Bangkok, Cape Town, and Delhi.

Artists surveyed include
Can Altay, Ei Arakawa, Julieta Aranda, Tania Bruguera, Maurizio Cattelan, Eduardo Costa, Dexter Sinister, Rimma Gerlovina, Valeriy Gerlovin, Robert Heinecken, John Holmstrom, John Knight, Silvia Kolbowski, Lee Lozano, Josephine Meckseper, Clemente Padin, Raymond Pettibon, Adrian Piper, Seth Price, Raqs Media Collective, Riot Grrrl, Martha Rosler, Sanaa Seif, Rirkrit Tiravanija, Scott Treleaven, Triple Canopy, Anton Vidokle

Writers include
Saul Anton, Stewart Brand, Jack Burnham, Johanna Burton, Thomas Crow, Edit DeAk, Kenneth Goldsmith, J rgen Habermas, Martina K ppel-Yang, Antje Krause-Wahl, Lucy Lippard, Caolan Madden, Valentina Parisi, Howardena Pindell, Georg Sch llhammer, Nancy Spector, Sally Stein, Reiko Tomii, Jud Yalkut, Vivian Ziherl


Contributor Bio(s): Allen, Gwen: - Gwen Allen is Associate Professor of History of Art at San Francisco University. She is the author of Artists' Magazines: An Alternative Space for Art (MIT Press).