| Making Parents: The Ontological Choreography of Reproductive Technologies Contributor(s): Thompson, Charis (Author) |
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ISBN: 0262701197 ISBN-13: 9780262701198 Publisher: MIT Press OUR PRICE: $39.60 Product Type: Paperback - Other Formats Published: March 2007 Annotation: Assisted reproductive technology (ART) makes babies and parents at once. Drawing on science and technology studies, feminist theory, and historical and ethnographic analyses of ART clinics, Charis Thompson explores the intertwining of biological reproduction with the personal, political, and technological meanings of reproduction. She analyzes the "ontological choreography" at ART clinics -- the dynamics by which technical, scientific, kinship, gender, emotional, legal, political, financial, and other matters are coordinated -- using ethnographic data to address questions usually treated in the abstract. Reproductive technologies, says Thompson, are part of the increasing tendency to turn social problems into biomedical questions and can be used as a lens through which to see the resulting changes in the relations between science and society. After giving an account of the book's disciplinary roots in science and technology studies and in feminist scholarship on reproduction, Thompson comes to the ethnographic heart of her study. She develops her concept of ontological choreography by examining ART's normalization of "miraculous" technology (including the etiquette of technological sex); gender identity in the assigned roles of mother and father and the conservative nature of gender relations in the clinic; the naturalization of technologically assisted kinship and procreative intent; and patients' pursuit of agency through objectification and technology. Finally, Thompson explores the economies of reproductive technologies, concluding with a speculative and polemical look at the "biomedical mode of reproduction" as a predictor of future relations between science and society. |
| Additional Information |
| BISAC Categories: - Health & Fitness | Fertility & Infertility - Science | History - Technology & Engineering | History |
| Dewey: 616.692 |
| Series: Inside Technology (Paperback) |
| Physical Information: 0.82" H x 5.44" W x 8.82" (0.98 lbs) 360 pages |
| Descriptions, Reviews, Etc. |
| Publisher Description: Assisted reproductive technology (ART) makes babies and parents at once. Drawing on science and technology studies, feminist theory, and historical and ethnographic analyses of ART clinics, Charis Thompson explores the intertwining of biological reproduction with the personal, political, and technological meanings of reproduction. She analyzes the ontological choreography at ART clinics--the dynamics by which technical, scientific, kinship, gender, emotional, legal, political, financial, and other matters are coordinated--using ethnographic data to address questions usually treated in the abstract. Reproductive technologies, says Thompson, are part of the increasing tendency to turn social problems into biomedical questions and can be used as a lens through which to see the resulting changes in the relations between science and society. After giving an account of the book's disciplinary roots in science and technology studies and in feminist scholarship on reproduction, Thompson comes to the ethnographic heart of her study. She develops her concept of ontological choreography by examining ART's normalization of miraculous technology (including the etiquette of technological sex); gender identity in the assigned roles of mother and father and the conservative nature of gender relations in the clinic; the naturalization of technologically assisted kinship and procreative intent; and patients' pursuit of agency through objectification and technology. Finally, Thompson explores the economies of reproductive technologies, concluding with a speculative and polemical look at the biomedical mode of reproduction as a predictor of future relations between science and society. |
Contributor Bio(s): Thompson, Charis: - Charis Thompson is Associate Professor of Rhetoric and Women's Studies at the University of California, Berkeley. She is the author of Making Parents: The Ontological Choreography of Reproductive Technologies (MIT Press)Bijker, Wiebe E.: - Wiebe E. Bijker is Professor at Maastricht University and the author of Of Bicycles, Bakelites, and Bulbs: Toward a Theory of Sociotechnical Change (MIT Press) and other books.Pinch, Trevor: - Trevor Pinch is Goldwin Smith Professor of Science and Technology Studies at Cornell University and coeditor of The Social Construction of Technological Systems: New Directions in the Sociology and History of Technology (anniversary edition, MIT Press). |