| Memory and Modernity: Viollet-Le-Duc at Vézelay Contributor(s): Murphy, Kevin D. (Author) |
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ISBN: 027101850X ISBN-13: 9780271018508 Publisher: Penn State University Press OUR PRICE: $102.91 Product Type: Hardcover Published: December 1999 Annotation: Murphy (art history, City U. of New York-Brooklyn) focuses on the first project of the French architect and theorist Eugene-Emmanuel Viollet-le-Duc (1814-79), the restoration of the Romanesque church of the Madeleine at Vezelay in Burgundy. Drawing on extensive archival records, he places the project within the government architectural bureaucracy that emerged in the July Monarchy and describes the controversy that arose from changes in its physical form, permitted uses, and place in history. |
| Additional Information |
| BISAC Categories: - Architecture | History - Romanticism - Architecture | Individual Architects & Firms - General - Architecture | Buildings - Religious |
| Dewey: 726.509 |
| LCCN: 98-41262 |
| Physical Information: 0.68" H x 6.35" W x 9.35" (1.30 lbs) 216 pages |
| Themes: - Cultural Region - French |
| Descriptions, Reviews, Etc. |
| Publisher Description: Memory and Modernity focuses on the first project of the renowned nineteenth-century French architect and theorist Eugène-Emmanuel Viollet-le-Duc, the restoration of the Romanesque church of the Madeleine at Vézelay in Burgundy. This is the first book-length study to approach the work of Viollet-le-Duc from the perspective of institutional and social history. Kevin D. Murphy situates the Vézelay restoration project within the government architectural bureaucracy that emerged in the July Monarchy. Drawing on extensive archival records, he describes the controversy that arose from the restoration process, as changes in the physical form of the church, its permitted uses, and its place in history provoked heated exchanges among the Burgundy region and Paris, the Catholic clergy and government officials. Examining in detail the architect's transformation of the church of the Madeleine, the book also draws out the implications of the project for understanding Viollet-le-Duc's theoretical development. Murphy shows how Viollet-le-Duc's rationalist interpretation of medieval architecture informed the decisions that were made about the restoration, but also how that way of thinking was influenced by the architect's experience at Vézelay. |