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Digging the Africanist Presence in American Performance: Dance and Other Contexts
Contributor(s): Gottschild, Brenda D. (Author)
ISBN: 027596373X     ISBN-13: 9780275963736
Publisher: Praeger
OUR PRICE:   $44.55  
Product Type: Paperback - Other Formats
Published: June 1998
Qty:
Annotation: This ground-breaking work brings dance into current discussions of the African presence in American culture. Dixon Gottschild argues that the Africanist aesthetic has been "invisibilized" by the pervasive force of racism. This book provides evidence to correct and balance the record, investigating the Africanist presence as a conditioning factor in shaping American performance, onstage and in everyday life. She examines the Africanist presence in American dance forms particularly in George Balanchine's Americanized style of ballet, (post)modern dance, and blackface minstrelsy. Hip hop culture and rap are related to contemporary performance, showing how a disenfranchised culture affects the culture in power.
Additional Information
BISAC Categories:
- Performing Arts | Dance - Folk
- Social Science | Ethnic Studies - African American Studies
- Social Science | Popular Culture
Dewey: 793.3
Lexile Measure: 1350
Series: Contributions in Afro-American & African Studies
Physical Information: 0.69" H x 6.14" W x 9.21" (0.74 lbs) 224 pages
Themes:
- Ethnic Orientation - African American
 
Descriptions, Reviews, Etc.
Publisher Description:

This ground-breaking work brings dance into current discussions of the African presence in American culture. Dixon Gottschild argues that the Africanist aesthetic has been invisibilized by the pervasive force of racism. This book provides evidence to correct and balance the record, investigating the Africanist presence as a conditioning factor in shaping American performance, onstage and in everyday life. She examines the Africanist presence in American dance forms particularly in George Balanchine's Americanized style of ballet, (post)modern dance, and blackface minstrelsy. Hip hop culture and rap are related to contemporary performance, showing how a disenfranchised culture affects the culture in power.