Limit this search to....

Art History, Aesthetics, Visual Studies
Contributor(s): Holly, Michael Ann (Editor), Moxey, Keith (Editor)
ISBN: 0300097891     ISBN-13: 9780300097894
Publisher: Clark Art Institute
OUR PRICE:   $23.70  
Product Type: Paperback
Published: January 2003
Qty:
Temporarily out of stock - Will ship within 2 to 5 weeks
Annotation: Art history, aesthetics, and visual studies today find themselves in contested new philosophical and institutional circumstances. This fascinating and challenging volume explores the connections and differences among these three methods of investigating visual representation. What are the dominant aesthetic assumptions underlying art historical inquiry? How have these assumptions been challenged by visual studies? Are questions of quality, form, content, meaning, and spectatorship culturally specific? Can we still define the parameters of what should properly constitute the objects of the history of art? Fifteen distinguished scholars answer these and other questions, critically examining the relationships among these three scholarly fields from their founding moments through their contemporary practices.
Additional Information
BISAC Categories:
- Art | History - General
- Art | Criticism & Theory
- Philosophy | Aesthetics
Dewey: 701.17
LCCN: 2002021787
Series: Clark Studies in the Visual Arts
Physical Information: 0.87" H x 6.88" W x 9.8" (1.70 lbs) 292 pages
 
Descriptions, Reviews, Etc.
Publisher Description:
Art history, aesthetics, and visual studies today find themselves in contested new philosophical and institutional circumstances. This fascinating and challenging volume explores the connections and differences among these three methods of investigating visual representation.

What are the dominant aesthetic assumptions underlying art historical inquiry? How have these assumptions been challenged by visual studies? Are questions of quality, form, content, meaning, and spectatorship culturally specific? Can we still define the parameters of what should properly constitute the objects of the history of art? Fifteen distinguished scholars answer these and other questions, critically examining the relationships among these three scholarly fields from their founding moments through their contemporary practices.