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The Complete Fiction of Nella Larsen: Passing, Quicksand, and the Stories
Contributor(s): Larsen, Nella (Author), Larson, Charles (Editor), Golden, Marita (Foreword by)
ISBN: 0385721005     ISBN-13: 9780385721004
Publisher: Anchor Books
OUR PRICE:   $16.16  
Product Type: Paperback - Other Formats
Published: November 2001
Qty:
Temporarily out of stock - Will ship within 2 to 5 weeks
Annotation: In The Complete Fiction of Nella Larsen," whose career flamed brightly but briefly in the 1920s, we rediscover one of the most gifted writers of the Harlem Renaissance.
Nella Larsen's subject is the struggle of sensitive, spirited heroines to find a place for themselves in a hostile world. "Passing is the story of a light-skinned beauty who, after spending years passing for white, finds herself dangerously drawn to an old friend's Harlem neighborhood. In "Quicksand, a restless young mulatto tries desperately to find a comfortable place in a world in which she sees herself as a perpetual outsider. Race and marriage offer few securities here or in the other stories in a collection that is compellingly readable, rich in psychological complexity, and imbued with a sense of place that brings Harlem vibrantly to life.
Additional Information
BISAC Categories:
- Fiction | Literary
- Fiction | African American - Urban
- Fiction | Women
Dewey: FIC
LCCN: 2002265653
Physical Information: 0.69" H x 5.28" W x 8.02" (0.53 lbs) 304 pages
Themes:
- Ethnic Orientation - African American
 
Descriptions, Reviews, Etc.
Publisher Description:
This volume brings together the complete fiction of the author of Passing and Quicksand, one of the most gifted writers of the Harlem Renaissance. Throughout her short but brilliant literary career, Nella Larsen wrote piercing dramas about the black middle class that featured sensitive, spirited heroines struggling to find a place where they belonged. Passing, Larsen's best-known work, is a disturbing story about the unraveling lives of two childhood friends, one of whom turns her back on her past and marries a white bigot. Just as disquieting is the portrait in Quicksand of Helga Crane, half black and half white, who is unable to escape her loneliness no matter where and with whom she lives. Race and marriage offer few securities here or in the other stories in this compulsively readable collection, rich in psychological complexity and imbued with a sense of place that brings Harlem vibrantly to life.