| Science Fiction Audiences: Watching Star Trek and Doctor Who Contributor(s): Jenkins, Henry (Author), Tulloch, John (Author) |
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ISBN: 0415061407 ISBN-13: 9780415061407 Publisher: Routledge OUR PRICE: $161.50 Product Type: Hardcover - Other Formats Published: April 1995 Annotation: "Science Fiction Audiences" examines the astounding popularity of two television "institutions" of our time--the science fiction series "Doctor Who" and "Star Trek." Both of theses programs have survived cancellation and acquired a following that continues to grow. The book is based on years of research including interviews with fans and followers of these two television series. In that period fans and followers have changed, and ways of studying them as "audiences" have changed as well, but the programs endure intact--"Star Trek," for example, is approaching its fourth television incarnation. John Tulloch and Henry Jenkins dive into the rich fan culture surrounding the two series, exploring such issues as queer identity, fan meanings, teenage love of science fiction and genre expectations. The authors further question how these series operate on other levels, for example, by portraying particular American and British profiles, by promoting certain ideologies, orsimply by providing a very consistent form of entertainment. "Science Fiction Audiences" encompasses the perspectives of vast population of fans and followers throughout Britain, Australia, and the USA. This book is intended both for fans and followers of the series, who will continue their debates in these pages, and for those involved in media and cultural studies, who will examine a historically changing range of audience theory operating over the time period this study covers. Overall, "Science Fiction Audiences" offers a synthesis of text, context and audience study. |
| Additional Information |
| BISAC Categories: - Performing Arts | Television - General - Art | Popular Culture |
| Dewey: 791.457 |
| LCCN: 94029962 |
| Physical Information: 1.1" H x 6.46" W x 9.44" (1.46 lbs) 308 pages |
| Descriptions, Reviews, Etc. |
| Publisher Description: Science Fiction Audiences examines the astounding popularity of two television "institutions" - the series Doctor Who and Star Trek. Both of these programmes have survived cancellation and acquired an following that continues to grow. The book is based on over ten years of research including interviews with fans and followers of the series. In that period, though the fans may have changed, and ways of studying them as "audiences" may have also changed, the programmes have endured intact, with Star Trek for example now in its fourth television incarnation. John Tulloch and Henry Jenkins dive into the rich fan culture surrounding the two series, exploring issues such as queer identity, fan meanings, teenage love of science fiction, and genre expectations. They encompass the perspectives of a vast population of fans and followers throughout Britain, Australia and the US, who will continue the debates contained in the book, along with those who will examine the historically changing range of audience theory it presents. and continue to attract a huge community of fans and followers. Doctor Who has appeared in nine different guises and Star Trek is now approaching its fourth television incarnation.Science Fiction Audiences examines the continuing popularity of two television 'institutions' of our time through their fans and followers. Through dialogue with fans and followers of Star Trek and Dr Who in the US, Britain and Australia, John Tulloch and Henry Jenkins ask what it is about the two series that elicits such strong and active responses from their audiences. Is it their particular intervention into the SF genre? Their expression of peculiarly 'American' and 'British' national cultures. Their ideologies and visions of the future, or their conceptions of science and technology? Science Fiction Audiences responds to a rich fan culture which encompasses debates about fan aesthetics, teenage attitudes to science fiction, queers and Star Trek, and ideology and pleasure in Doctor Who. It is a book written both for fans of the two series, who will be able to continue their debates in its pages, and for students of media and cultural studies, offering a historical overview of audience theory in a fascinating synthesis of text, context and audience study. |