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Like a Film: Ideological Fantasy on Screen, Camera and Canvas
Contributor(s): Murray, Timothy (Author)
ISBN: 0415077338     ISBN-13: 9780415077330
Publisher: Routledge
OUR PRICE:   $152.00  
Product Type: Hardcover - Other Formats
Published: August 1993
Qty:
Annotation: In "Like A Film," Timothy Murray investigates how the cinematic apparatus has invaded the theory of culture, weaving together the disparate psycho-political' fabrics of cultural production, psychoanalysis and politically marked subject positions. The book analyzes the impact of the apparatus on a wide range of cultural practices: experimental art, from the film-making of Yvonne Rainer and Derek Jarman to Laurence Olivier's "Othello; " social and political narratives of race, sexuality, feminism and ecology; the visual theory of Lyotard, Torok, Barthes, Zizek, Silverman and Laplanche; articulations of history from the Renaissance visions of Shakespeare and Caravaggio to modern sexual and political fantasy. Murray suggests that the many destabilizing traumas of culture remain accessible to us because they are structured so much like film.
Responding directly to multicultural debates over the value of theory and the aim of artistic practice, "Like A Film" addresses questions of cultural identity, the role of Continental psychoanalysis and philosophy, and the ideological importance of artistic form.
Additional Information
BISAC Categories:
- Performing Arts | Film - Guides & Reviews
- Art | Popular Culture
- Social Science | Media Studies
Dewey: 791.437
LCCN: 93017147
Physical Information: 0.69" H x 6.14" W x 9.21" (1.25 lbs) 278 pages
 
Descriptions, Reviews, Etc.
Publisher Description:

In this stimulating collection of theoretical writings on film, photography, and art, Timothy Murray examines relations between artistic practice, sexual and racial politics, theory and cultural studies.
Like a Film investigates how the cinematic apparatus has invaded the theory of culture, suggesting that the many destabilising traumas of our culture remain accessible to us because they are structured so much like film. The book analyses the impact of cinematic perceptions and productions on awide array of cultural practices: from the Renassance works of Shakespeare and Caravaggio to modern sexual and political fantasy; and the theoretical work of Lyotard, Torok, Barthes, Ropars-Wuilleumier, Zizek, Silverman and Laplanche.Like A Film responds to current multicultural debates over the value of theory and the aim of artistic practice.