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The Politics of Display: Museums, Science, Culture
Contributor(s): MacDonald, Sharon (Editor)
ISBN: 0415153263     ISBN-13: 9780415153263
Publisher: Routledge
OUR PRICE:   $49.39  
Product Type: Paperback - Other Formats
Published: December 1997
Qty:
Annotation: "The Politics of Display" brings together studies of contemporary and historical museum shows and challenges the notion that these exhibitions are politically exempt. For example, what does it mean when the Enola Gay, the aircraft which dropped atomic bombs on Hiroshima, is displayed?
The contributors to this volume chart the changing relationship between displays and their audience and analyzes the consequent shift in styles of representation towards interactive and multimedia displays. Examples are taken from exhibitions of science, technology and industry, anthropology, geology, natural history and medicine. Contributors include Steven W. Allison-Bunnell, Ken Arnold, Tony Bennett, Thomas F. Gieryn, Penelope Harvey, Sharon Macdonald and Tracy Lang Teslow.
Additional Information
BISAC Categories:
- Social Science | Sociology - General
- Political Science
- Social Science | Archaeology
Dewey: 069.5
LCCN: 97003319
Series: Heritage: Care-Preservation-Management
Physical Information: 0.64" H x 6.1" W x 9.13" (1.12 lbs) 264 pages
 
Descriptions, Reviews, Etc.
Publisher Description:

The assumption that museum exhibitions, particularly those concerned with science and technology, are somehow neutral and impartial is today being challenged both in the public arena and in the academy. The Politics of Display brings together studies of contemporary and historical exhibitions and contends that exhibitions are never, and never have been, above politics. Rather, technologies of display and ideas about 'science' and 'objectivity' are mobilized to tell stories of progress, citizenship, racial and national difference. The display of the Enola Gay, the aircraft which dropped the atomic bomb on Hiroshima is a well-known case in point.
The Politics of Display charts the changing relationship between displays and their audience and analyzes the consequent shift in styles of representation towards interactive, multimedia and reflexive modes of display. The Politics of Display brings together an array of international scholars in the disciplines of sociology, anthropology and history. Examples are taken from exhibitions of science, technology and industry, anthropology, geology, natural history and medicine, and locations include the United States of America, Australia, the United Kingdom, France, the Netherlands and Spain.
This book is an excellent contribution to debates about the politics of public culture. It will be of interest to students of sociology, anthropology, cultural studies, museum studies and science studies.