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Discographies: Dance, Music, Culture and the Politics of Sound
Contributor(s): Gilbert, Jeremy (Author), Pearson, Ewan (Author)
ISBN: 0415170338     ISBN-13: 9780415170338
Publisher: Routledge
OUR PRICE:   $44.60  
Product Type: Paperback - Other Formats
Published: July 1999
Qty:
Annotation: Experiencing Disco, Hip Hop, House, Techno, Drum 'n Bass and Garage, "Discographies" takes a revealing look at the transatlantic dance scene of the last twenty-five years. Tracing the history of ideas about music and dance in Western culture and the ways in which dance music is produced and received, the authors assess the importance and relevance of dance culture in the 1990s and beyond.
The book considers both the problems posed by contemporary dance culture for various forms of writing, academic and cultural, and their origins in the long history of opposition to music as a source of sensory pleasure. The authors offer a framework for understanding the bodily nature of musical experience using a range of theorists including Derrida, Irigaray and Judith Butler, and consider the limits placed on contemporary dance culture as exemplary of the modern regulation of social space.
Discussing such issues as technology, club space, drugs, the musical body, gender, sexuality, and pleasure, "Discographies" explores the ecstatic experiences at the heart of contemporary dance culture. It suggests why politicians and agencies as diverse as the independent music press and public broadcasting are so hostile to this cultural phenomenon. "Discographies" breaks new ground in considering important cultural phenomena not only in terms of a politics of identity, but a politics of experience.
Additional Information
BISAC Categories:
- Music | Discography & Buyer's Guides
- Music | Musical Instruments - General
Dewey: 784.188
LCCN: 99010971
Lexile Measure: 1610
Physical Information: 0.44" H x 6.14" W x 9.21" (0.66 lbs) 208 pages
 
Descriptions, Reviews, Etc.
Publisher Description:
Experiencing disco, hip hop, house, techno, drum 'n' bass and garage, Discographies plots a course through the transatlantic dance scene of the last last twenty-five years. It discusses the problems posed by contemporary dance culture of both academic and cultural study and finds these origins in the history of opposition to music as a source of sensory pleasure.
Discussing such issues as technology, club space. drugs, the musical body, gender, sexuality and pleasure, Discographies explores the ecstatic experiences at the heart of contemporary dance culture. It suggests why politicians and agencies as diverse as the independent music press and public broadcasting should be so hostile to this cultural phenomenon.