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French National Cinema
Contributor(s): Hayward, Susan (Author)
ISBN: 041530783X     ISBN-13: 9780415307833
Publisher: Routledge
OUR PRICE:   $42.70  
Product Type: Paperback
Published: June 2005
Qty:
Annotation: Susan Hayward argues that writing on French cinema has tended to focus on either "great" film-makers or on non-specific movements, addressing moments of exception rather than the global picture. Her work offers a thorough and much-needed historical textualization of those moments and relocates them in their wider political and cultural context. Beginning with an "ecohistory" of the French film industry, she then traces the various movements in French cinema and the directors associated with them, including the avant-garde, poetic-realist, New Wave and today's postmodern cinema.
This new edition has been revised and updated to reflect developments in French cinema in the 1990s and beyond, including the GATT negotiations of 1993, French cinema's increasing dependence on investment from television, the rise of the multiplex, and the implications of the introduction of digital technology.
"French National Cinema" breaks new ground in the writing on French cinema, and its fresh approach will further our understanding of how France's cinema interfaces with France's concept of itself as a nation.
Additional Information
BISAC Categories:
- Performing Arts | Film - General
- Social Science | Media Studies
Dewey: 791.430
LCCN: 2004024443
Series: National Cinemas
Physical Information: 0.78" H x 6.14" W x 9.16" (1.51 lbs) 416 pages
 
Descriptions, Reviews, Etc.
Publisher Description:

This revised and updated version of a successful and established text, French National Cinema offers a thorough and much-needed historical overview of French cinema at a time when it continues to grow in popularity with films such as Amelie and Belleville Rendez-vous.

Brought wholly up to date to include political and social developments in French cinema in the 1990s, its fresh approach and groundbreaking new writing on the subject offers a much further understanding of French cinema and its relationship with the French national identity.

New subjects covered include:

  • the GATT negotiations of 1993
  • French cinema's increasing dependence on investment from television
  • the rise of the multiplex
  • the implications of the introduction of digital technology.

Ideal for all students of cinema, film studies and film history, this book traces the eco-history of the French film and its key figures and movements, and it places them in their wider political and cultural context.